Search results
Results from the WOW.Com Content Network
Melinoë is the daughter of Persephone and was fathered by Zeus, [6] who tricked her via "wily plots" by taking the form of Hades, indicating that in the hymn Persephone is already married to Hades. [7]
Persephone and Dionysos. Roman copy after a Greek original of the 4th–3rd century B.C. Marble. Hermitage.. In ancient Greek mythology and religion, Persephone (/ p ər ˈ s ɛ f ə n iː / pər-SEF-ə-nee; Greek: Περσεφόνη, romanized: Persephónē, classical pronunciation: [per.se.pʰó.nɛː]), also called Kore (/ ˈ k ɔːr iː / KOR-ee; Greek: Κόρη, romanized: Kórē, lit.
Persephone was abducted by Hades, who desired a wife. When Persephone was gathering flowers, she was entranced by a narcissus flower planted by Gaia (to lure her to the underworld as a favor to Hades), and when she picked it the earth suddenly opened up. [64] Hades, appearing in a golden chariot, seduced and carried Persephone into the underworld.
Persephone did not submit to Hades willingly, but was abducted by him while picking flowers in the fields of Nysa (her father, Zeus, had previously given Persephone to Hades, to be his wife, as is stated in the first lines of the Homeric Hymn to Demeter). In protest of his act, Demeter cast a curse on the land and there was a great famine ...
Proserpine is the Latin spelling of Persephone, a goddess married to Hades, god of the underworld. According to some accounts, she had a garden of ever blooming flowers (poppies) in the underworld. The Greek and Roman festivals honoring her and her mother, Ceres, emphasized Proserpine's return to the upper world in spring. According to the ...
A votive plaque known as the Ninnion Tablet depicting elements of the Eleusinian Mysteries, discovered in the sanctuary at Eleusis (mid-4th century BC). The Eleusinian Mysteries (Greek: Ἐλευσίνια Μυστήρια, romanized: Eleusínia Mystḗria) were initiations held every year for the cult of Demeter and Persephone based at the Panhellenic Sanctuary of Eleusis in ancient Greece.
Let’s talk about your new music. You’ve talked about going in a different direction, or going back to a different part of your roots, saying the new stuff reflects a different side of what you ...
Ceres's love—a mother's love—challenges the power of the gods. [40] Shelley tells the story almost entirely from Ceres's point of view; "her play elegiacally praises female creativity and fecundity as 'Leaf, and blade, and bud, and blossom.' " [ 2 ] Shelley writes active, rather than passive, roles for Proserpine and Ceres.