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French theatre in the 16th-century followed the same patterns of evolution as the other literary genres of the period. For the first decades of the century, public theatre remained largely tied to its long medieval heritage of mystery plays, morality plays, farces, and soties, although the miracle play was no longer in vogue.
This is a category for plays originally created in the French language, either by playwrights of France or countries. ... (1723 play) L. Le Couvent, ou les Fruits du ...
For plays in the French language, created by either citizens of France or francophone playwrights in other countries, please use Category:French-language plays Wikimedia Commons has media related to Plays from France .
On 3 September 1793, during the French Revolution, the Théâtre de la Nation was closed by order of the Committee of Public Safety for putting on the allegedly seditious play Pamela, and the actors were imprisoned though gradually released later. On 31 May 1799, the new government made the Salle Richelieu available and allowed the actors to ...
The conception of "French" culture however poses certain difficulties and presupposes a series of assumptions about what precisely the expression "French" means. Whereas American culture posits the notion of the "melting-pot" and cultural diversity, the expression "French culture" tends to refer implicitly to a specific geographical entity (as ...
The well-made play (French: la pièce bien faite, pronounced [pjɛs bjɛ̃ fɛt]) is a dramatic genre from nineteenth-century theatre, developed by the French dramatist Eugène Scribe. It is characterised by concise plotting, compelling narrative and a largely standardised structure, with little emphasis on characterisation and intellectual ideas.
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Frontispiece and title page of Le Bourgeois gentilhomme from a 1688 edition. Le Bourgeois gentilhomme (French pronunciation: [lə buʁʒwa ʒɑ̃tijɔm], translated as The Bourgeois Gentleman, The Middle-Class Aristocrat, or The Would-Be Noble) is a five-act comédie-ballet – a play intermingled with music, dance and singing – written by Molière, first presented on 14 October 1670 before ...