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The review also noted that the novella finds itself in a "hard place" due to its short length, with the reviewer wishing for more time to spend with Jenna's found family. [ 2 ] Liz Bourke of Tor.com wrote that the book occupies a liminal space between novellas and short novels, which is appropriate for "a story sliding elegantly across the ...
7. Love Jones (1997). Cast: Larenz Tate, Nia Long, Isaiah Washington Rating: R Director: Theodore Witcher Run time: 108 minutes If you're drawn to semi-cheesy romance dramas that include a more ...
The website's consensus reads: "A pulpy crime drama/vampire film hybrid, From Dusk till Dawn is an uneven but often deliriously enjoyable B-movie." [19] Metacritic, which uses a weighted average, assigned the film a score of 48 out of 100, based on 15 critics, indicating "mixed or average" reviews. [20]
Night and Day is an upcoming British/German film adaptation of the Virginia Woolf novel of the same name. It has an ensemble cast including Haley Bennett , Timothy Spall , Jennifer Saunders , Jack Whitehall , Sally Phillips , and Lily Allen .
Between Midnight and Dawn is a 1950 American film noir crime film directed by Gordon Douglas and starring Mark Stevens, Edmond O'Brien and Gale Storm. [1] It is notable as one of the earliest Hollywood policiers to focus on beat cops rather than detectives and other high-ranking officers.
[11] On Metacritic, the film has a weighted average score of 91 out of 100 based on 39 reviews from mainstream publications, indicating "universal acclaim". [12] The film appeared on 28 critics' top 10 lists of the best films of 2004, [13] and took the 27th spot on Metacritic's list of The Best-Reviewed Movies of the Decade (2000–09). [14]
Despite being released two years after its subject – the popular film From Dusk Till Dawn – Full-Tilt Boogie was well received, with an 88% on review aggregation website Rotten Tomatoes. David Stratton of Variety Film Reviews remarked, "A bit late in the day, but nevertheless welcome."
The site's consensus states, "It may be based on a true story, but that doesn't excuse the way The Possession repeatedly falls back on hoary ghost movie clichés – or the unintentional laughs it provides." [10] On Metacritic, the film holds a score of 45 out of 100, indicating "mixed or average reviews", based on reviews from 26 critics. [11]