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The Delphic maxims are a set of moral precepts that were inscribed on the Temple of Apollo in the ancient Greek precinct of Delphi. The three best known maxims – "Know thyself", "Nothing in excess", and "Give a pledge and trouble is at hand" – were prominently located at the entrance to the temple, and were traditionally said to have been ...
Know thyself" (Greek: Γνῶθι σεαυτόν, gnōthi seauton) [a] is a philosophical maxim which was inscribed upon the Temple of Apollo in the ancient Greek precinct of Delphi. The best-known of the Delphic maxims , it has been quoted and analyzed by numerous authors throughout history, and has been applied in many ways.
Lycurgus Consulting the Pythia (1835/1845), as imagined by Eugène Delacroix.. Pythia was the priestess presiding over the Oracle of Apollo at Delphi.There are more than 500 supposed oracular statements which have survived from various sources referring to the oracle at Delphi.
Ion (/ ˈ aɪ ɒ n /; Ancient Greek: Ἴων, Iōn) is an ancient Greek play by Euripides, thought to have been written between 414 and 412 BC. It follows the orphan Ion, a young and willing servant in Apollo's temple, as he inadvertently discovers his biological origins. As it unfolds the play is also the powerful story of his mother, Creusa ...
The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...
Apollo is known in Greek-influenced Etruscan mythology as Apulu. [2] As the patron deity of Delphi (Apollo Pythios), Apollo is an oracular god—the prophetic deity of the Delphic Oracle and also the deity of ritual purification. His oracles were often consulted for guidance in various matters.
Fragments of both hymns in the Delphi Archaeological Museum. The Delphic Hymns are two musical compositions from Ancient Greece, which survive in substantial fragments.They were long regarded as being dated c. 138 BC and 128 BC, respectively, but recent scholarship has shown it likely they were both written for performance at the Athenian Pythaids in 128 BC. [1]
This famous aphorism used to characterize Heraclitus' thought comes from Simplicius, a Neoplatonist, and from Plato's Cratylus. The word rhei (ρέι, cf. rheology) is the Greek word for "to stream"; according to Plato's Cratylus, it is related to the etymology of Rhea. πάντοτε ζητεῖν τὴν ἀλήθειαν