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"Turn Me On" is the debut single of Vincentian singer Kevin Lyttle. It was the lead single from his self-titled debut album . The song was originally a soca ballad released in 2002 on the VP Records sublabel Waist Line Muzik, [ 1 ] remade into a dance hit for the US release.
The same year Kevin Lyttle founded his own record label, Tarakon Records. Lyttle's second album, Fyah, was released by Tarakon and Universal Records in 2008, featuring a duet version of "Turn Me On" recorded with Alison Hinds and contributions from other artists. The title song was released as the first single and both the single and the album ...
Kevin Lyttle is the debut studio album by Vincentian singer Kevin Lyttle. The album was released in 2004 and included the hit " Turn Me On ", which went to top 5 in many countries worldwide. Album information
Dawn Penn – "You Don't Love Me (No, No, No)" Janet Kay – "Silly Games" Junior Murvin – "Police & Thieves" Red Dragon feat. Brian & Tony Gold – "Compliments on Your Kiss" Barry Biggs – "Sideshow" Harry J Allstars – "The Liquidator" John Holt – "Help Me Make It Through the Night" Sugar Minott – "We've Got a Good Thing Going"
"Let Me Hold You (Turn Me On)" is a song by American DJs Cheat Codes and Dutch DJ Dante Klein. Released by Spinnin' Records on July 1, 2016, the song is largely a cover of Kevin Lyttle 's 2003 hit " Turn Me On ", though it does include new lyrics.
Similarly to Lyttle's debut album, Fyah was produced by a team of various producers, blending soca, dancehall and other genres of Caribbean music. The album included a re-recording of his most famous song, " Turn Me On ", featuring popular Barbadian soca singer Alison Hinds .
"Turn Me On" (Kevin Lyttle song), 2003 "Turn Me On" (Mark Dinning song), 1961; covered by Nina Simone (1967) and Norah Jones (2000) "Turn Me On" (Riton and Oliver Heldens song), 2019 "Turn Me On" (Sean Smith song), 2016 "Turn Me On (Turn Me Out)", by Praxis (as "Turn Me Out"), 1994; covered by 2 Shoes (2012) "Turn Me On", by Accept from Balls ...
It avoids the improvisational "risk-taking" of jazz fusion, emphasizing melodic form, and much of the music was initially "a combination of jazz with easy-listening pop music and lightweight R&B." [1] [2] During the mid-1970s in the United States, it was known as "smooth radio"; the genre was not termed "smooth jazz" until the 1980s. [3]
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