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A Great Day in Harlem or Harlem 1958 is a black-and-white photograph of 57 jazz musicians in Harlem, New York, taken by freelance photographer Art Kane for Esquire magazine on August 12, 1958. [1] The idea for the photo came from Esquire ' s art director, Robert Benton, rather than Kane. [2]
This is a list of jazz musicians by instrument based on existing articles on Wikipedia. Do not enter names that lack articles. Do not enter names that lack articles. Do not enter names that lack sources.
William Paul Gottlieb (January 28, 1917 – April 23, 2006) was an American photographer and newspaper columnist who is best known for his classic photographs of the leading performers of the Golden Age of American jazz in the 1930s and 1940s.
Composed Winterreise and other songs aged 7. His first orchestral composition, an overture to the singspiel Hochlands Treue was composed in 1872/73. Blind Tom Wiggins: 1849 Composer, pianist 4 Composed music from the age 4-5 including pieces like ‘The Rainstorm’ He and was able to memorize entire speeches with nuances. Juan Crisóstomo ...
Also: United States: People: By occupation: Male musicians / Jazz musicians: Male jazz musicians Subcategories. This category has the following 2 subcategories, out ...
The original members of the band had met in Mississippi in 1938 at the Piney Woods Country Life School, a school for poor and African American children. [6] The majority who attended Piney Woods were orphans, including band member Helen Jones, who had been adopted by the school's principal and founder (also the Sweethearts' original bandleader), Laurence C. Jones. [6]
Some of the most notable nicknames and stage names are listed here. Although the term Jazz royalty exists for "Kings" and similar royal or aristocratic nicknames, there is a wide range of other terms, many of them obscure. Where the origin of the nickname is known, this is explained at each artist's corresponding article.
This is an alphabetized list of musicians notable for playing or having played jazz piano. The piano has been an integral part of the jazz idiom since its inception, in both solo and ensemble settings. Its role is multifaceted due largely to the instrument's combined melodic, harmonic, and rhythmic capabilities. [1