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"Love Letter" 1991 "Something to Talk About" "I Can't Make You Love Me" 1992 "Not the Only One" 1994 "Love Sneakin' Up On You" 1994 "You" 1994 "Storm Warning" 1995 "You Got It" 1998 "One Belief Away" 1998 "Lover's Will" 1998 "Blue For No Reason" 2012 "Right Down The Line" 2016 "Gypsy in Me" 2022 "Made Up Mind"
Raitt is a folkie by history but not by aesthetic", wrote Robert Christgau [6] in his Consumer Guide column. "She includes songs from Steve Stills , the Marvelettes , and a classic feminist blues singer named Sippie Wallace because she knows the world doesn't end with acoustic song-poems and Fred McDowell .
[16] Rolling Stone critic Jon Landau also praised the album, writing that "the best thing about Bonnie Raitt is her singing, and the best thing about Give It Up is that she sings great from beginning to end; in doing so, she successfully handles a far greater range of styles and material than on her first album and has produced a more ...
Bonnie Lynn Raitt (/ r eɪ t /; [1] born November 8, 1949) is an American singer, guitarist, and songwriter. In 1971, Raitt released her self-titled debut album . Following this, she released a series of critically acclaimed roots -influenced albums that incorporated elements of blues , rock , folk , and country .
Knives Out ranks with other turn-of-the-2020s-decade films, such as Ready or Not, Parasite, Hustlers, and Joker (all 2019), in which class warfare is the unifying theme. [70] [71] Knives Out makes literal class struggle by framing Harlan's death as an explicit tale of good versus evil, and Cabrera emerges as the hero because of her humanity.
"Thing Called Love" John Hiatt: Nick of Time (1989) 3:50: 2. "Nick of Time" Bonnie Raitt: Nick of Time: 4:06: 3. "Love Letter" Bonnie Hayes: Nick of Time: 4:06: 4. "Have a Heart" Hayes: Nick of Time: 4:48: 5. "Something to Talk About" Shirley Eikhard: Luck of the Draw (1991) 3:47: 6. "I Can't Make You Love Me" Mike Reid; Allen Shamblin: Luck of ...
William Ruhlmann of AllMusic concludes his review of The Bonnie Raitt Collection with, "Even taking into account differences in taste, Raitt's choices run in the face of the preferences of fans and critics to the point that the album fails to make the case for her Warners recordings as true expressions of her talents, a case that could have been made decisively with a better selection."
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