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"Hearts of Stone" was covered and taken to the charts in 1954 by East Coast R&B vocal group the Charms, causing the story of the Jewels' involvement to be ignored by various writers and DJs who assume the Charms' cover was the original. The Charms' version of the song went to number one on the R&B Best Sellers and number fifteen on the pop charts.
In 1955, Billboard magazine published three charts specifically covering the top-performing songs in the United States in rhythm and blues and related African-American-oriented music genres. The Best Sellers in Stores chart ranked records based on their "current national selling importance at the retail level", based on a survey of record ...
In 1955, the following five charts were produced: Best Sellers in Stores – ranked the biggest selling singles in retail stores, as reported by merchants surveyed throughout the country. Most Played by Jockeys – ranked the most played songs on United States radio stations, as reported by radio disc jockeys and radio stations.
Cherry Pink And Apple Blossom White" by Perez Prado was the number one song of 1955. "Rock Around the Clock" by Bill Haley & His Comets was the number two song of 1955, and a breakthrough hit for rock and roll. This is a list of Billboard magazine's top 30 singles of 1955 according to retail sales. [1]
The group had further R&B chart success with "Ling, Ting, Tong" and "Two Hearts", and they toured with The Clovers, Big Joe Turner and others. [1] Another song recorded in 1955, written by Rudy Toombs, was "Gum Drop," a single issued on DeLuxe 6090 and labeled by Otis William and the Charms. It was very popular and covered by the Crew Cuts.
Throughout most of the 1950s, the magazine published the following charts to measure a song's popularity: Most Played by Jockeys – ranked the most played songs on United States radio stations, as reported by radio disc jockeys and radio stations. Most Played in Jukeboxes – ranked the most played songs in jukeboxes across the United States.
Billboard Top R&B Records of 1955 is made up of three year-end charts compiled by Billboard magazine ranking the year's top rhythm and blues records based on record sales, disc jockey plays, and juke box plays.
In 1951, they had a minor hit with "The Tennessee Waltz", of which bigger selling recordings were made by Patti Page and Les Paul and Mary Ford. In 1954 they switched to Randy Wood's Dot Records , [ 12 ] where they abandoned the slow late 1940s-early 1950s style for faster material aimed at the growing teen/rock-and-roll audience, and they had ...