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According to Christian Friedrich Daniel Schubart, A major is a key suitable for "declarations of innocent love, ... hope of seeing one's beloved again when parting; youthful cheerfulness and trust in God." [3] For orchestral works in A major, the timpani are typically set to A and E a fifth apart, rather than a fourth apart as for most other keys.
The next section brings back the opening theme in chords and further develops it: it appears in A ♭ major (bars 221–224), then F minor (225–228) and then D ♭ major (229–232); it is fragmented into shorter phrases (233–238) and then transits into a quiet section with major 7th arpeggios, returning after much drama to the C major ...
4 time begins without pause, and returns to the key of the first movement, in A major. It is a grand contrapuntal movement in which Beethoven explored the newest keyboard set in his command, using the lowest E (E 1) on the piano (marked "Contra E"), at the retransition and near the end of the movement. This movement is the longest and most ...
A leading-tone chord is a triad built on the seventh scale degree in major and the raised seventh-scale-degree in minor. The quality of the leading-tone triad is diminished in both major and minor keys. [12] For example, in both C major and C minor, it is a B diminished triad (though it is usually written in first inversion, as described below).
In a minor key triads i and iv are minor chords, but in chord V the leading-tone is generally raised to form a major chord. [2] For example, in A minor the primary triads are Am, Dm and E. Chord v (minor) in a minor key might be expected to be a primary triad, but its use is rare in common practice harmony.
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
A closely related key can be defined as one that has many common chords. A relative major or minor key has all of its chords in common; a dominant or subdominant key has four in common. Less closely related keys have two or fewer chords in common. For example, C major and A minor have 7 common chords while C major and F ♯ major have 0 common ...
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