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Maria Wiik, Ballad (1898) A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of the popular poetry and song of Great Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America.
In 19th century romantic music, a piano ballad (or 'ballade') is a genre of solo piano pieces [1] [2] written in a balletic narrative style, often with lyrical elements interspersed. Emerging in the Romantic era , it became a medium for composers to explore dramatic and expressive storytelling through complex, lyrical themes and virtuosic ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
An example of a corrido song sheet or sheet music, this one from 1915 at the height of the Mexican Revolution. Corridos play an essential part in Mexican and Mexican American culture. The name comes from the Spanish word correr ("to run"). A typical corrido's formula is eight quatrains with four to six lines containing eight syllables. [4]
These poems were subsequently "set to simple, four-part music, incorporate the shifting accenmal patterns of the French vers mesurée". The composers of this style included Heinrich Finck, Paul Hofhaimer, and Ludwig Senfl. The style also became imbued into the new German humanist dramas, thus contributing to the development of Protestant hymnody.
Lyrical Ballads, with a Few Other Poems is a collection of poems by William Wordsworth and Samuel Taylor Coleridge, first published in 1798 and generally considered to have marked the beginning of the English Romantic movement in literature. [2]
The Ballad of the White Horse by G. K. Chesterton (1911) Mensagem by Fernando Pessoa (composed 1913–1934) The Cantos by Ezra Pound (composed 1915–1969) Dorvyzhy, Udmurt national epic compiled in Russian by Mikhail Khudiakov (1920) basing on folklore works; The Legend of Sigurd and Gudrún by J. R. R. Tolkien (composed 1920–1939, published ...
The lyric became the dominant mode of French poetry during this period. [23]: 15 For Walter Benjamin, Charles Baudelaire was the last example of lyric poetry "successful on a mass scale" in Europe. [24] In Russia, Aleksandr Pushkin exemplified a rise of lyric poetry during the 18th and early 19th centuries. [25]