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A drawing of twin mountains (Indonesian: pemandangan gunung kembar, "twin mountain view", or pemandangan gunung legendaris, "legendary mountain view") is a drawing pattern commonly made by Indonesian kindergarten and primary school students. The drawing is often produced by students who are asked by their teacher to draw natural features.
Chuah Thean Teng was born in 1914 in Fujian, China; Chuah's father traded sundries while his mother made shoes for women with bound feet.The family emigrated to Penang, Malaysia when Chuah was 14; Chuah returned to Fujian to pursue an education at the Amoy Art School (later the Xiamen Academy of Fine Arts), but returned to Malaya (now Malaysia) at the age of 17. [1]
Spring Fresco, Minoan painting from Akrotiri, 1600–1500 BCE Zhan Ziqian, Strolling About in Spring, a very early Chinese landscape, c. 600. The earliest forms of art around the world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included.
Ida Bagus Made's paintings are some of the best examples of the Ubud school from the Pitamaha generation, and have not been surpassed by younger painters. [2] His paintings have been acquired by prestigious institutions all over the world, including the United Nations, the Royal Tropical Institute Museum (Amsterdam) and the Royal Ethnographic Museum (Leiden).
Most dictionaries and definitions of shan shui assume that the term includes all ancient Chinese paintings with mountain and water images. [3] Contemporary Chinese painters, however, feel that only paintings with mountain and water images that follow specific conventions of form, style and function should be called "shan shui painting".
In Indonesian, pekarangan can be translated as "land that surrounds a house", "a house's yard", or "plotted land for house construction". [1] However, the term is widely used in scientific literature, specifically in agroforestry and environmental topics, to mean "home gardens". [2]
Wisdom of the East, fresco mural in Jefferson Hall, East-West Center, Honolulu, by Affandi, 1967. Affandi (18 May 1907 – 23 May 1990) was an Indonesian artist. Born in Cirebon, West Java, as the son of R. Koesoema, who was a surveyor at a local sugar factory, Affandi finished his upper secondary school in Jakarta.
Popo's paintings were heavily influenced by his teacher at the Department of Fine Arts, ITB, Ries Mulder from the Netherlands, who painted in the Cubism and Abstract schools of thought. [1] At the Faculty of Fine Arts and Design (FSRD-ITB), he worked alongside artists such as A.D. Pirous , Ahmad Sadali, Mochtar Apin and Umi Dachlan .