Search results
Results from the WOW.Com Content Network
Tilley featured on the cover of the first issue of The New Yorker (dated February 21, 1925) as a dandy of days past, as created by Rea Irvin. Eustace Tilley is a caricature that appeared on the cover of the first issue of The New Yorker in 1925 and has appeared on the cover in various forms of every anniversary issue of the magazine except 2017.
Eicke created 51 New Yorker magazine covers from 1946-1961. Much of her work focused on scenes of childhood. [2]In the foreword to an anthology of the magazine's covers, John Updike singled out Eicke as one of the artists who made some of the most appealing covers, "Do you have trouble letting go of old copies of The New Yorker?
Reid Kikuo Johnson (born in 1981) [1] is an American illustrator and cartoonist.He is known for illustrating several covers of The New Yorker in addition to the graphic novels Night Fisher, The Shark King, and No One Else.
This week's cover for The New Yorker is making waves on social media as people react to the magazine's illustration.. The image, titled “A Mother’s Work” by R. Kikuo Johnson, gives readers a ...
His second cover for The New Yorker, "Dog Meets Dog", which ran on the June 27, 2011 issue and art directed by Francoise Mouly, won the Hamilton King Award in 2012. [ 9 ] [ 10 ] Cuneo's August 5, 2013 New Yorker cover featured Anthony Weiner straddling the top of the Empire State Building . [ 11 ]
The cover of the new New Yorker wades into the escalating gun debate through an alarming image depicting how guns are now part of the American Grocery List.
Her last New Yorker cover was published on March 19, 1966, and showed elderly "Mrs. Peabody" pulling on a broken calling cord. [1] Petty illustrated several books, including one of her New Yorker cartoons, published in 1945. [1] Petty rarely took ideas from outside sources (only twice, according to Thurber [4]).
Tom Toro is one of those artists whose work feels like a breath of fresh air. Best known for his sharp, single-panel cartoons in The New Yorker and the heartfelt charm of his comic strip Home Free ...