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The Janice Levin Dancer Award was created in 2000 by an endowment gift from the late Mrs. Levin, and is bestowed annually on a promising member of NYCB's corps de ballet. [ 65 ] 2023 - 2024 – Naomi Corti
In December 2017, Martins took a leave of absence from the New York City Ballet following an allegation of sexual misconduct made against him. [43] [44] [45] Five dancers of the New York City Ballet later told the New York Times that Martins had verbally or physically abused them; Martins denied engaging in any misconduct.
NYCHA is a public-benefit corporation, controlled by the Mayor of New York City, and organized under the State's Public Housing Law. [6] [11] The NYCHA ("NYCHA Board") consists of seven members, of which the chairman is appointed by and serves at the pleasure of the Mayor of New York City, while the others are appointed for three-year terms by the mayor. [12]
New York City Ballet principal dancers (104 P) New York City Ballet soloists (34 P) J. Janice Levin Award dancers (12 P) Pages in category "New York City Ballet dancers"
Pages in category "New York City Ballet principal dancers" The following 104 pages are in this category, out of 104 total. This list may not reflect recent changes .
At 17, Kretzschmar moved to New York City to attend the School of American Ballet at Lincoln Center, where she studied under Suki Schorer, Suzi Pillare, Kay Mazzo, Peter Martins, Sean Lavery, and Andrei Kramarevsky. [3] [2] In 2010, she joined the New York City Ballet as an apprentice. In 2011, Kretzschmar was promoted into the corps de ballet.
Catazaro became an apprentice with the New York City Ballet in 2007. At this time, he performed a principal role in the revival of Jerome Robbins' Watermill. He became a member of the Corps de Ballet in 2008, performing featured roles such as the male lead in Diamonds from Jewels, [2] the Cavalier in The Nutcracker and Shakespeare's comedic and temperamental Demetrius in A Midsummer Night's ...
Raymonda Variations is danced by two principal dancers, a man and a woman, and ensemble of twelve women. [1] The ballet does not follow the plot of the 1898 Raymonda. [2]: 471 Balanchine explained, "The music itself, its grand and generous manner, its joy and playfulness, was for me more than enough to carry the plot of the dances."