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Thus, while a chromatic harmonica is well-suited for playing lead or melody, diatonic harmonicas have a greater advantage when playing harmony or accompaniment. As the chromatic harmonica is designed to play melodies in any key, many 16-hole and special version chromatic are only made in the key of C.
Playing the harmonica in a key a fourth below its intended key. Playing just the unbended notes, this position gives the mixolydian scale between 2 draw and 6 blow. However, bending the 3 draw allows the player to play a minor third (or a blue third), allowing a player to use a C harmonica to play in G mixolydian or G minor.
Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion).It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century and is credited with inventing the blow/draw mechanism that allows the harmonica to play different notes when the air is drawn instead of blown.
Initial diatonic harmonica tunings were major key only. In 1931, Hiderō Satō (佐藤秀廊) announced the development of a minor key harmonica. There are two types of minor key tunings, "natural minor" suitable for folk and contemporary music, and Latin American music, and the "harmonic minor" suitable for some famous Japanese pieces.
For example, playing music in the key of C on a C-tuned harmonica. More common (especially in blues and rock) is "crossharp" or "second position" playing which involves playing in the key which is a perfect fourth below the key of the harmonica (for example, on a C tuned harmonica, a second position blues would be in G—resulting in the ...
Certain musical instruments play in a certain key, or have their music written in a certain key. Instruments that do not play in the key of C are known as transposing instruments. [5] The most common kind of clarinet, for example, is said to play in the key of B ♭. This means that a scale written in C major in sheet music actually sounds as a ...
Melodies can be based on a diatonic scale and maintain its tonal characteristics but contain many accidentals, up to all twelve tones of the chromatic scale, such as the opening of Henry Purcell's "Thy Hand, Belinda" from Dido and Aeneas (1689) with figured bass), which features eleven of twelve pitches while chromatically descending by half steps, [1] the missing pitch being sung later.
Harmonic series on C, partials 1–5 numbered Play ⓘ. Harmonic series on G, partials 1–5 numbered Play ⓘ. The harmonic scale is a "super-just" musical scale allowing extended just intonation, beyond 5-limit to the 19th harmonic (Play ⓘ), and free modulation through the use of synthesizers.