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Decasyllabic quatrain is a poetic form in which each stanza consists of four lines of ten syllables each, usually with a rhyme scheme of AABB or ABAB. Examples of the decasyllabic quatrain in heroic couplets appear in some of the earliest texts in the English language, as Geoffrey Chaucer created the heroic couplet and used it in The Canterbury Tales. [1]
A heroic couplet is a traditional form for English poetry, commonly used in epic and narrative poetry, and consisting of a rhyming pair of lines in iambic pentameter.Use of the heroic couplet was pioneered by Geoffrey Chaucer in the Legend of Good Women and the Canterbury Tales, [1] and generally considered to have been perfected by John Dryden and Alexander Pope in the Restoration Age and ...
Outside of poems, they are usually seen on the sides of doors leading to people's homes or as hanging scrolls in an interior. Although often called Chinese couplet or antithetical couplet, they can better be described as a written form of counterpoint .
The rhyming couplet entered English verse in the early Middle English period through the imitation of medieval Latin and Old French models. [3] The earliest surviving examples are a metrical paraphrase of the Lord's Prayer in short-line couplets, and the Poema Morale in septenary (or "heptameter") couplets, both dating from the twelfth century. [4]
These avant-garde poets drew inspiration from earlier Greek authors, especially Sappho and Callimachus; Catullus himself used Sapphic meter in two poems, Catullus 11 and 51, the second of which is almost a translation. His poems are written in a variety of meters, with hendecasyllabic verse and elegiac couplets being the most common by far.
An example of the use of danda as caesurae in Indian poetry is in the "dohas" or couplet poems of Sant Kabir Das, a 15th-century poet who was central to the Bhakti movement in Hinduism. [7] Kabir employs the danda to mark semi-verse and verse, as in the following couplet:
The Landay (Pashto: لنډۍ) is a traditional Afghan poetic form consisting of a single couplet. There are nine syllables in the first line, and thirteen syllables in the second. These short poems typically address themes of love, grief, homeland, war, and separation. [1]
For a poem to be considered a true ghazal, it must have no fewer than five couplets. Almost all ghazals confine themselves to less than fifteen couplets (poems that exceed this length are more accurately considered as qasidas). Ghazal couplets end with the same rhyming pattern and are expected to have the same meter.