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Mark making is the interaction between the artist and the materials they are using. [1] It provides the viewer of the work with an image of what the artist had done to create the mark, reliving what the artist had done at the time. [1] Materiality is the choice of materials used and how it impacts the work of art and how the viewer perceives it ...
In the philosophy of art, an interpretation is an explanation of the meaning of a work of art. [a] An aesthetic interpretation expresses a particular emotional or experiential understanding most often used in reference to a poem or piece of literature, and may also apply to a work of visual art or performance. [1]
Dunbier, Fine Art Comparables, tfaoi.org, Part 1 and Part 2. The Dunbier System & ENCompass 22,000 Artist Directory Archived 2021-05-18 at the Wayback Machine, an early computerized valuation method no longer updated. Reitlinger, Gerald, The Economics of Taste, Hacker Art Books 1982, (3 Volume Set). ISBN 9780878172887. An early, 3-volume study ...
Colors also have value; for example, yellow has a high value while blue and red have a low value. If you take a black and white picture of a colorful scene, all you are left with are the values. This important element of design, especially in painting and drawing, allows the artist to create the illusion of light through value contrast. [6]
In the latter, Sontag argues that the new approach to criticism and aesthetics neglects the sensuous impact and novelty of art, instead fitting works into predetermined intellectual interpretations and emphasis on the "content" or "meaning" of a work. The book was a finalist for the Arts and Letters category of the National Book Award. [1]
A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.
The Dictionary of Art was first offered online on 12 November 1998 by Grove Dictionaries (New York) under the title The Grove Dictionary of Art Online. [3] [4] The online version is now published by Oxford University Press, is updated three times a year, is available by subscription and includes some extra content. In the UK, many public ...
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