Search results
Results from the WOW.Com Content Network
According to feminist art historians Norma Broude and Mary Garrard: "Women artists in the 1950s and 1960s suffered professional isolation not only from one another, but also from their own history, in an era when women artists of the past had been virtually written out of the history of art, H.W. Janson's influential textbook, History of Art ...
Some have found no link between the aesthetic and the moral (i.e. being morally reprehensible does not deny an artwork its art status; it does not cease having aesthetic value no matter how depraved some might see it being), whereas others, who have not gone down the explicitly Platonist route, have argued that the relationship is one akin to ...
In order to have moral character, we must understand what contributes to our overall good and have our spirited and appetitive desires educated properly, so that they can agree with the guidance provided by the rational part of the soul. According to Plato, Moral Character is directly linked to and understanding contributions to the overall good.
Ethics is the branch of philosophy that examines right and wrong moral behavior, moral concepts (such as justice, virtue, duty) and moral language. Ethics or moral philosophy is a branch of philosophy that "involves systematizing, defending, and recommending concepts of right and wrong behavior".
In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a style restricted to a few of the small cities of the period, to important monasteries , as well ...
Moral patienthood [1] (also called moral patience, [2] moral patiency, [3] and moral status [4] [5]) is the state of being eligible for moral consideration by a moral agent. [4] In other words, the morality of an action can depend on how it affects or relates to moral patients.
Moral sense theory (also known as moral sentimentalism) is a theory in moral epistemology and meta-ethics concerning the discovery of moral truths. Moral sense theory typically holds that distinctions between morality and immorality are discovered by emotional responses to experience. Some take it to be primarily a view about the nature of ...
The Story of Art, by E. H. Gombrich, is a survey of the history of art from ancient times to the modern era. [1] First published in 1950 by Phaidon, the book is widely regarded both as a seminal work of criticism and as one of the most accessible introductions to the visual arts. It was originally intended for younger readers. [2]