Search results
Results from the WOW.Com Content Network
According to feminist art historians Norma Broude and Mary Garrard: "Women artists in the 1950s and 1960s suffered professional isolation not only from one another, but also from their own history, in an era when women artists of the past had been virtually written out of the history of art, H.W. Janson's influential textbook, History of Art ...
Since the late nineteenth century and beyond, with the development of 'the arts' as a cultural concept, the debate about art and morality has intensified, with the ever more challenging activities of artists becoming targets for those who see art as an influence for bad or good, and it has been a mainstay of many art critics' negative reviews.
In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a style restricted to a few of the small cities of the period, to important monasteries , as well ...
In order to have moral character, we must understand what contributes to our overall good and have our spirited and appetitive desires educated properly, so that they can agree with the guidance provided by the rational part of the soul. According to Plato, Moral Character is directly linked to and understanding contributions to the overall good.
The Story of Art, by E. H. Gombrich, is a survey of the history of art from ancient times to the modern era. [1] First published in 1950 by Phaidon, the book is widely regarded both as a seminal work of criticism and as one of the most accessible introductions to the visual arts. It was originally intended for younger readers. [2]
Arguably the most prominent defender of moral sense theory in the history of philosophy is David Hume (1711–1776). While he discusses morality in Book 3 of his Treatise of Human Nature (1739–40), Hume's most mature, positive account of the moral sense is found in An Enquiry Concerning the Principles of Morals (1751).
The long poem Liberty by the Scottish James Thomson (1734), is a lengthy monologue spoken by the "Goddess of Liberty", describing her travels through the ancient world, and then English and British history, before the resolution of the Glorious Revolution of 1688 confirms her position there. [62]
James, William: "The Moral Philosopher and the Moral Life" – International Journal of Ethics, volume 1, number 3 (April 1891), pp. 330–354 The essay was also featured in: James, William: The Will to Believe and Other Essays in Popular Philosophy. First edition: Longmans, Green, 1897.