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In archaeological scholarship, the term Mannerists describes a large group of Attic red-figure vase painters, stylistically linked by their affected painting style. The group comprised more than 15 artists. They preferred to paint column kraters, hydriai and pelikes. They were active from about 480 BC until near the end of the 5th century BC.
Vase with Irises Against a Yellow Background is an oil painting on canvas made in 1889 by the painter Vincent Van Gogh. It is preserved in the Van Gogh Museum in Amsterdam . It is one of the works done while he was admitted to the psychiatric clinic in Saint-Rémy, a town near Arles .
A Handbook of Greek Vase Painting. Sparks, NV: Falcon Hill Press, 1995. Mitchell, Alexandre G. Greek Vase-Painting and the Origins of Visual Humour. New York: Cambridge University Press, 2009. Noble, Joseph Veach. The Techniques of Painted Attic Pottery. New York: Watson-Guptill, 1965. Oakley, John Howard. The Greek Vase: Art of the Storyteller ...
Pages in category "Ancient Greek vase-painting styles" The following 49 pages are in this category, out of 49 total. This list may not reflect recent changes .
Vincent van Gogh's Flowers in a Blue Vase, about 1889-1890 . Flowers were the subject of many of Van Gogh's paintings in Paris, due in great part to his regard for flowers. [4] As said to his brother, "You will see that by making a habit of looking at Japanese pictures you will come to love to make up bouquets and do things with flowers all the ...
This was followed by a considerable duration of the Subgeometric style, before Orientalising vase painting became dominant. Once that had happened, floral and other ornaments became very popular. There was experimentation with polychrome effects (adding red and white paint), and to a more limited extent with figural motifs (animals and humans).
Bilingual vase painting is a special form of ancient Greek vase painting. The term, derived from linguistics, is essentially a metaphorical one; it describes vases that are painted both in the black-figure and in the red-figure techniques. It also describes the transitional period when black-figure was being gradually replaced in dominance by ...
It imitated Attic red-figure products. Campanian vase painting is subdivided into three main groups: Medea killing one of her children; neck amphora by the Ixion painter, circa 330 BC. Paris: Louvre. The first group is represented by the Kassandra Painter from Capua, still under Sicilian influence, especially by the Chessboard Painter.