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Charlie and his Orchestra (also referred to as the "Templin band" and "Bruno and His Swinging Tigers") were a Nazi-sponsored German propaganda swing band. Jazz music styles were seen by Nazi authorities as rebellious but, ironically, propaganda minister Joseph Goebbels conceived of using the style in shortwave radio broadcasts aimed initially at the United Kingdom, and later the United States ...
Heinz was born in Detmold, Germany, but from the age of seven was brought up in Eastleigh, Hampshire, England. [2] His German [3] father had been killed during World War II and his mother decided to move to Britain. Heinz was influenced by the US singer Eddie Cochran and played in a local Eastleigh group, the Falcons, in the 1950s. [4]
The NSKK (Nationalsozialistisches Kraftfahrkorps) also made their own take on the Panzerlied, but with a different variation called the Panzerwagenlied ("Armored car song"). In 2017, the Bundeswehr was banned from publishing songbooks containing Panzerlied and other marching songs by the Minister of Defence Ursula von der Leyen as part of new ...
Sheet music cover featuring Margaret Young, 1924 "Big Bad Bill (Is Sweet William Now)" is a song with music by Milton Ager and lyrics by Jack Yellen, written in 1924. [1] The song became a vocal hit for Margaret Young accompanied by Rube Bloom, and an instrumental hit for the Don Clark Orchestra.
The song begins with the line "Auf der Heide blüht ein kleines Blümelein" (On the heath a little flower blooms), the theme of a flower (Erika) bearing the name of a soldier's sweetheart. [2] After each line, and after each time the name "Erika" is sung, there is a three beat pause , which is filled by the timpani or stamping feet (e.g. of ...
In U.S. culture, despite its republican constitution and ideology, [4] royalist honorific nicknames have been used to describe leading figures in various areas of activity, such as industry, commerce, sports, and the media; father or mother have been used for innovators, and royal titles such as king and queen for dominant figures in a field.
The first patriotic war song of WWII in the U.S. was "God Bless America," written by Irving Berlin for a World War I wartime revue, but it was withheld and later revised and used in World War II. [4] There were many other patriotic wartime songs during this time such as, " A Nightingale Sang in Berkeley Square " by Glenn Miller and "Arms for ...
Music in Nazi Germany, like all cultural activities in the regime, was controlled and "co-ordinated" (Gleichschaltung) by various entities of the state and the Nazi Party, with Propaganda Minister Joseph Goebbels and the prominent Nazi theorist Alfred Rosenberg playing leading – and competing – roles.