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Don Juan, Op. 20, is a tone poem in E major for large orchestra written by the German composer Richard Strauss in 1888. The work is based on Don Juans Ende , a play derived from an unfinished 1844 retelling of the tale by poet Nikolaus Lenau after the Don Juan legend which originated in Renaissance -era Spain. [ 1 ]
Frontispiece illustration of a bust of Lord Byron in the 1824 edition of Don Juan. (Benbow publisher) Byron was a prolific writer, for whom "the composition of his great poem, Don Juan, was coextensive with a major part of his poetical life"; he wrote the first canto while resident in Italy in 1818, and the 17th canto in early 1823. [3]
Peter Jones for Record Mirror described the song as "a sure-fire hit for Dave Dee, that well-known raver on the scene whose affinity with Don Juan is becoming more and more known. This is essentially a Spanish contribution to the team’s tour of the world, musically – a jolly, hard-hitting, brass-augmented sound which comes off immediately".
Don Juan (Spanish: [doŋ ˈxwan]), also known as Don Giovanni , is a legendary, fictional Spanish libertine who devotes his life to seducing women. The original version of the story of Don Juan appears in the 1630 play El burlador de Sevilla y convidado de piedra (The Trickster of Seville and the Stone Guest) by Tirso de Molina.
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The tone poems of Richard Strauss are noted as the high point of program music in the latter part of the 19th century, extending its boundaries and taking the concept of realism in music to an unprecedented level. In these works, he widened the expressive range of music while depicting subjects many times thought unsuitable for musical depiction.
The opus Six Romances was composed in 1878 by Pyotr Ilyich Tchaikovsky (1840 – 1893) for voice and piano, and was published as Opus 38 later that year. Of these six songs, "Don Juan's Serenade" was the most successful, becoming one of the best-known works among the approximately 100 romances that Tchaikovsky composed during his lifetime.
Don Juan – or Don Juan (el taita del barrio) – is an Argentine tango, whose music was composed (at least in his greater part) by Ernesto Ponzio, and lyrics written afterwards by Ricardo Podestá. [ 1 ] [ 2 ] Jorge Luis Borges referred to his friend Poncio's composition as "one of the earliest and best tangos".
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