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"LA Devotee" is a song by American rock band Panic! at the Disco. It was released as the first promotional single from the band's fifth studio album, Death of a Bachelor, on November 26, 2015 (Thanksgiving Day) through Fueled by Ramen and DCD2. The song was written by Brendon Urie, White Sea and Jake Sinclair and was produced by Sinclair.
The ukulele (/ ˌ juː k ə ˈ l eɪ l i / yoo-kə-LAY-lee; from Hawaiian: ʻukulele [ˈʔukuˈlɛlɛ]), also called a uke, is a member of the lute family of instruments. The ukulele is of Portuguese origin and was popularized in Hawaii. The tone and volume of the instrument vary with size and construction. Ukuleles commonly come in four sizes ...
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
Death of a Bachelor is the fifth studio album by Panic! at the Disco, and their first as a solo project, released on January 15, 2016 by Fueled by Ramen and DCD2.It is the follow-up to the band's fourth studio album, Too Weird to Live, Too Rare to Die!
Townshend was born in Chiswick, West London, at the Chiswick Hospital, Netheravon Road, in the UK.He came from a musical family: his father, Cliff Townshend, was a professional alto saxophonist in the Royal Air Force's dance band the Squadronaires and his mother, Betty (née Dennis), was a singer with the Sidney Torch and Les Douglass Orchestras.
The guitalele combines the portability of a ukulele, due to its small size, with the six single strings and resultant chord possibilities of a classical guitar. It may include a built-in microphone that permits playing the guitalele either as an acoustic guitar or connected to an amplifier. The guitalele is variously marketed (and used) as a ...
In standard jazz harmony, tritone substitution works because the two chords share two pitches that themselves are a tritone apart: namely, the third and the seventh of the chord, albeit reversed. [8] In a G 7 chord, the third is B and the seventh is F; in its tritone substitution, D ♭ 7, the third is F and the seventh is C ♭ (enharmonically ...
Melodies can be based on a diatonic scale and maintain its tonal characteristics but contain many accidentals, up to all twelve tones of the chromatic scale, such as the opening of Henry Purcell's "Thy Hand, Belinda" from Dido and Aeneas (1689) with figured bass), which features eleven of twelve pitches while chromatically descending by half steps, [1] the missing pitch being sung later.