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Bògòlanfini fabric. Bògòlanfini or bogolan (Bambara: bɔgɔlanfini; "mud cloth"; sometimes called mud-dyed cloth [1] [2] or mud-painted cloth [3] in English) is a handmade Malian cotton fabric traditionally dyed with fermented mud.
Korhogo cloth from National Museum of World Cultures in the Netherlands. Dated 1960-1970. Korhogo cloth is an African textile made by the Senufo people of Korhogo, Ivory Coast. Often described as being in the shadows of bogolafini (mud cloth) and kente, [1] korhogo comes in neutral and earthy tones like browns, blacks and creams. Korhogo is ...
African textiles can be used as historical documents. [31] cloth can be used to commemorate a certain person, event, and even a political cause. Much of the history conveyed had more to do with how others impacted the African people, rather than about the African people themselves.
Diarra is a textile artist known for her bògòlanfini, or mud cloth. While the popularity of mudcloth and the international market for it has led to a simplification of traditional techniques in pursuit of mass production, even among artisans, Diarra works in the traditional Beledougou style, which is distinct from the mud-cloth traditions of the Dogon people in Mali and from mud-cloth ...
Groupe Bogolan Kasobané is an artist collective from Mali, West Africa with a studio in Bamako and a gallery in Ségou. [1] Innovators and pioneers in the bogolan fine arts movement, [2] the Groupe traveled throughout Mali, researching the bogolan traditions and practices, including the symbolic alphabet, as well as the traditional structure, uses, and colors encoded in bogolan cloths.
Several types of raffia cloth are produced for different purposes, the most common form of which is a plain woven cloth that is used as the foundation for decorated textile production. Men produce the cloth on inclined, single-heddle looms and then use it to make their clothing and to supply foundation cloth to female members of their clan section.
Bògòlanfini ("mud cloth"), a handmade cotton fabric, traditionally dyed with fermented mud, has an important place in traditional Malian culture, and has more recently, become a symbol of Malian cultural identity. The cloth is being exported worldwide for use in fashion, fine art, and decoration.
The cloth's basic shape became that of two pieces of shirting material stitched together to create a woman's wrapper cloth. [8] New techniques of resist dyeing developed. The tradition of indigo dyeing goes back centuries in West Africa. The earliest known example is a cap from the Dogon kingdom in Mali dating to the 11th century, dyed in the ...
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