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The first group is Tangtu, or Kajeroan, also known as Baduy Dalam or Kanekes Dalam (meaning "Inner Kanekes"), with a population of about 400 consisting of forty families (Kajeroan) who live in the three villages of Cibeo, Cikertawana, and Cikeusik in Tanah Larangan (forbidden territory), where no stranger is permitted to spend the night. [19]
Ranunculus Root Cross Section. The endodermis is the innermost layer of cortex in land plants.It is a cylinder of compact living cells, the radial walls of which are impregnated with hydrophobic substances (Casparian strip) to restrict apoplastic flow of water to the inside. [1]
Development of the immortal embryo in the lower dantian of the Daoist cultivator. Neidan, or internal alchemy (traditional Chinese: 內丹術; simplified Chinese: 內丹术; pinyin: nèidān shù), is an array of esoteric doctrines and physical, mental, and spiritual practices that Taoist initiates use to prolong life and create an immortal spiritual body that would survive after death. [1]
It overlays the wood and consists of the inner bark and the outer bark. The inner bark, which in older stems is living tissue, includes the innermost layer of the periderm. The outer bark on older stems includes the dead tissue on the surface of the stems, along with parts of the outermost periderm and all the tissues on the outer side of the ...
A Lilium flower showing the six tepals: the outer three are sepals and the inner three are petals. Undifferentiated tepals are believed to be the ancestral condition in flowering plants . For example, Amborella , which is thought to have separated earliest in the evolution of flowering plants, [ 4 ] has flowers with undifferentiated tepals.
The feminine beauty ideal is a specific set of beauty standards regarding traits that are ingrained in women throughout their lives and from a young age to increase their perceived physical attractiveness. It is experienced by many women in the world, though the traits change over time and vary in country and culture. [1]
In aesthetics, "unity in variety" (sometimes "unity in diversity" [1]) is a principle declaring that in art beauty can come from the variety of diverse components grouped together thus creating a fused impression as a whole. [2]