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C. The Calling of Saints Peter and Andrew; The Calling of Saint Matthew; Cardinal Albert of Brandenburg before Christ on the Cross; Christ Among the Doctors (Dürer)
Pages in category "Paintings of the Crucifixion of Jesus" The following 130 pages are in this category, out of 130 total. This list may not reflect recent changes .
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...
Massacre of the Innocents, Codex Egberti, late 10th century. There are also many detailed series of artworks, ranging from stained glass to carved capitals to fresco cycles that depict every aspect of the story, which formed part of both of the two most popular subjects for cycles: the Life of Christ and the Life of the Virgin.
Bernhard Plockhorst (March 2, 1825 – May 18, 1907) was a German painter and graphic artist. In Germany, Plockhorst is mainly known to experts today, whereas his pictures are still very popular in the United States and their reproductions can be found in many American homes and churches.
The resurrection of Jesus has long been central to Christian faith and Christian art, whether as a single scene or as part of a cycle of the Life of Christ. In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely ...
Peoria Women's Club – Built in 1919, the building served as the place to watch a movie before the original local theater was built in Peoria. The club is located at 10351 84th Ave.(PRHP) Peoria Central School additions – The three additional one-room school buildings were added to the Peoria Central School in the 1920s. (NRHP)
The Baptism of Christ is an oil-on-panel painting finished around 1475 in the studio of the Italian Renaissance painter Andrea del Verrocchio and generally ascribed to him and his pupil Leonardo da Vinci. Some art historians discern the hands of other members of Verrocchio's workshop in the painting as well.