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The first English architect to adapt Palladio's work was Inigo Jones, who made a long trip to Vicenza and returned full of Palladian ideas. His first major work in the style was the Queen's House at Greenwich (1616–1635), modelled after Palladio's villas.
The Doctor and his companions end up in World War I 1986 UK Biggles: John Hough: A 20th-century salesman time-travels back to 1917 and meets pilot Biggles: A N 1986 US The Twilight Zone "The Convict's Piano" (1986 episode) Thomas J. Wright: A convict time travels through time by playing music from that era, including a brief stop in World War I ...
The emphatically classical church façade of Santa Maria Nova, Vicenza (1578–90) was designed by the influential Renaissance architect Andrea Palladio.. During the Italian Renaissance and with the demise of Gothic style, major efforts were made by architects such as Leon Battista Alberti, Sebastiano Serlio and Giacomo Barozzi da Vignola to revive the language of architecture of first and ...
The German Imperial Embassy (designed 1911–12) on Saint Isaac's Square in Saint Petersburg is considered the key template for Stripped Classicism. It was stripped still further when the large statues originally placed on the plinth on the roof were removed during World War I Victoria Palace, Bucharest, Romania, 1937–1944, by Duiliu Marcu
Hugo Alvar Henrik Aalto (pronounced [ˈhuːɡo ˈɑlʋɑr ˈhenrik ˈɑːlto]; 3 February 1898 – 11 May 1976) was a Finnish architect and designer. [1] His work includes architecture, furniture, textiles and glassware, as well as sculptures and paintings.
Pierre "Peter" Charles L'Enfant (French: [pjɛʁ ʃɑʁl lɑ̃fɑ̃]; August 2, 1754 – June 14, 1825) was a French-American artist, professor, and military engineer.In 1791, L'Enfant designed the baroque-styled plan for the development of Washington, D.C., after it was designated to become the capital of the United States following its relocation from Philadelphia.
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Although Caryn James found the period photos and film footage valuable, she thought that The Architecture of Doom was "simplistic" and "dangerously facile." [1] Washington Post reviewer Benjamin Forgey wrote that the film-maker "marshals his arguments and his evidence masterfully," [3] and in a separate review Desson Howe said that the film was a "dryly effective documentary."
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