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A sleeve tattoo or tattoo sleeve is a large tattoo or collection of smaller tattoos that covers most or all of a person's arm. There is a difference between an arm covered in tattoos and a sleeve tattoo: a sleeve tattoo has a unified theme, whereas an arm covered in tattoos may have many tattoos of different styles that does not have an overall ...
Over the past few years, finger tattoos have risen in popularity. Small and cute, they are the perfect way to subtly reflect your personality. Despite their size, these tiny masterpieces offer a ...
Men are slightly more likely to have a tattoo than women. Since the 1970s, tattoos have become a mainstream part of Western fashion, common both for men and women, and among all economic classes [82] and to age groups from the later teen years to middle age. For many young Americans, the tattoo has taken on a decidedly different meaning than ...
Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
While women commonly choose the top of the foot, inner wrist, side of the rib cage, and shoulder, men choose the arm, chest, forearm, and back for their tattoos. For many years women with tattoos were placed into specific categories: circus sideshow acts, biker chicks, hippies, or prostitutes.
Julia Gnuse (guh-NOO-see) (January 18, 1955 - August 11, 2016), commonly known by the nickname The Illustrated Lady or The Irvine Walker, was an American woman who had 95% of her body (including her face) covered in tattoos [1] and held the Guinness Record for being the most tattooed woman in the world. [2]
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The serpent in the skull is always making its way through the socket that was the eye: knowledge persists beyond death, the emblem says, and the serpent has the secret. The late medieval and Early Renaissance Northern and Italian painters place the skull where it lies at the foot of the Cross at Golgotha (Aramaic for the place of the skull).
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