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Deathchase is a 1983 vehicular combat game written for the ZX Spectrum by Mervyn Estcourt and published by Micromega in the UK. [1] In Spain it was published by Ventamatic. The "3D" designation on the box led to the game sometimes being misnamed "3D Deathchase", including in revi
Death Hunt; Death Proof; Death Race (franchise) Death Race 3: Inferno; Death Race: Beyond Anarchy; Deep Dark Canyon; The Defiant Ones; The Defiant Ones (1986 film) Déjà Vu (2006 film) Derailed (2002 film) Desperate (film) Desperate Measures (film) The Devil's Own; Dirty Harry; Dirty Mary, Crazy Larry; Double Jeopardy (1999 film) Double ...
DC Showcase: Death is an American animated short superhero film directed by Sam Liu, written by J.M. DeMatteis and produced by Warner Bros. Animation and DC Entertainment based on the character Death created by Neil Gaiman and Mike Dringenberg. [1] The short was included as part of the home media release of Wonder Woman: Bloodlines.
Pages in category "Films about death games" The following 91 pages are in this category, out of 91 total. This list may not reflect recent changes. 0–9.
Chase is a 2019 American action thriller film directed and written by Michael Matteo Rossi. [ 1 ] [ 2 ] The film stars Damien Puckler, Aries Spears , Richard Riehle , Oghenekaro Itene , Jessica Morris , Simeon Panda, Rob Niter and Skye Townsend .
Some applauded the film, calling it "excellent" and "soooo good.". Others were a bit more dramatic with one writing, “Just watched gladiator 2 and suddenly life is worth living again ...
Death: At Death's Door is a comic penned and inked in manga-style, by Jill Thompson, author of the Little Endless. It seems to take a more child-friendly and humorous approach, through the eyes of one of the more popular of the Endless characters, Death , to the storyline Season of Mists .
Deadly Chase was distributed theatrically in Italy by Nucleo Star on 8 December 1978. [1] The film grossed a total of 443,627,250 Italian lira. [1] Italian film historian described this gross as poor, stating that the film was "evidence of Merenda's quick commercial decline as well as that of the genre itself" [1]