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"Ain't Misbehavin '" is a 1929 stride jazz/early swing song. Andy Razaf wrote the lyrics to a score by Thomas "Fats" Waller and Harry Brooks [2] for the Broadway musical comedy play Connie's Hot Chocolates. It was published by Mills Music. As a work from 1929 with its copyright renewed, it entered the American public domain on January 1, 2025 ...
Ain't Misbehavin' is a musical revue with a book by Murray Horwitz and Richard Maltby Jr., and music by various composers and lyricists as arranged and orchestrated by Luther Henderson. It is named after the song by Fats Waller (with Harry Brooks and Andy Razaf), "Ain't Misbehavin'". The musical is a tribute to the music of Fats Waller.
Andy Razaf (born Andriamanantena Paul Razafinkarefo; December 16, 1895 – February 3, 1973) [1] was an American poet, composer, and lyricist of such well-known songs as "Ain't Misbehavin'" and "Honeysuckle Rose".
Ain't Misbehavin', a 1955 American musical romantic comedy Ain't Misbehavin' (TV series) , a 1990s British sitcom Ain't Misbehavin' , a 1997 British TV miniseries starring Jerome Flynn and Robson Green
Thomas Wright "Fats" Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, and singer. [1] His innovations in the Harlem stride style laid much of the basis for modern jazz piano.
Tommy Bruce (16 July 1937 – 10 July 2006) was an English rock and roll singer who had most of his success in the early 1960s. His cover version of " Ain't Misbehavin' " was a number 3 hit in the UK Singles Chart in 1960.
"Ain't Misbehavin'" 03:04 "I'm Going to Give It to Mary With Love" 03:16 "The Little Things in Life" 03:34 "So the Bluebirds and the Blackbirds Got Together" 02:53 "A Perfect Day" 02:40 "I Thought About You" 02:48 "I'd Rather Lead a Band" 03:41 "My Blue Heaven" 02:52 "Between the Devil and the Deep Blue Sea" 03:06 "Heart and Soul" 02:38
Allmusic awarded the album 4 stars, stating: "When this set (reissued on CD) was recorded, Hank Jones was the pianist in the Broadway show Ain't Misbehavin', a revue that celebrated Fats Waller's music. Jones never sounded like Waller, being a swing-to-bop transition player rather than a stride pianist, and he makes no effort to copy Fats ...