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Shinichi Suzuki was born on October 17, 1898, in Nagoya, Japan, as one of twelve children.His father, Masakichi Suzuki, was originally a maker of traditional Japanese string instruments but in 1880, he became interested in violins and by Shinichi's birth he had developed the first Japanese violin factory (now Suzuki Violin Co., Ltd.), at that time the largest such factory in the world.
Violin Solo Sonata No. 1 (1940) -dedicated to Ruggiero Ricci- (I. Praeludium con bravura; II. Cantabile; III. Allegro) Philip Glass "Strung Out", for solo amplified violin (1967) "Knee Play 2", violin solo from Einstein On The Beach; Partita for solo violin (2010/11) -dedicated to Tim Fain- (I. Opening; II. Dance 1; III.
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Wolfgang Amadeus Mozart's String Quartet No. 15 in D minor, K. 421/417b is the second of his quartets dedicated to Haydn and the only one of the set in a minor key.Though undated in the autograph, [1] it is believed to have been completed in 1783, while his wife Constanze Mozart was in labour with her first child Raimund.
Joseph Haydn's String Quartets, Op. 64, is a set of six string quartets composed in 1790. Along with six earlier quartets published under the opus numbers 54 and 55, they are known as the Tost quartets, after the Hungarian violinist and later merchant Johann Tost who helped Haydn find a publisher for the works.
[1.Pastorale in G minor (Andantino con moto); 2.Scherzo alla Pulcinella in E-flat major (Allegretto)] Violin Sonata "Grand Duo Concertant" in D major, Op.12 (1852) [1.Allegro moderato; 2.Andantino con moto; 3.Vivace] Soirées parisiennes: trois morceaux de caractère, Op.18; Guitare in B minor, for voice (or violin) and piano (or orchestra) Op.28
The second violin, on the other hand, has quick sixteenth note slurs which contain many string crossings. As Elisabeth Le Guin puts it in Boccherini’s Body: An Essay in Carnal Musicology , "The second violinist has no time for galanterie ; he must concentrate on keeping the constant string crossings reasonable even through the length of the bow."
The orchestra begins with the main theme, which the violin imitates one octave higher. The winds then play a dance-like motif in A major, which the violin concludes. The violin restates the main theme in A major, although the melody features A sharp instead of A natural, creating a brief modulation to B minor. It soon modulates back to A major ...
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