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He Loved Me To Death; He Must Die; He Never Once Stopped Believing In Me; He Never Sends Me Where He's Never Been; He Plants Me Like A Seed; He Restoreth My Soul (In the Valley) He Sees Me Through The Blood; He Waits For The Sound Of My Voice; He Was The Talk Of The Town; He Went Out Of His Way; He's Already On His Way; Headed For Judgment
"Lord, I Lift Your Name on High" is a worship song written by Rick Founds in 1989. Founds wrote the song during his morning devotion, while reading the scriptures on his computer monitor and watching television. He plucked his guitar thinking about the "cycle of redemption", comparing it with the water cycle.
Lord God Almighty!) references Isaiah 6:3 and Revelation 4:8 [3] and mirrors the opening line of the Sanctus (Holy, Holy, Holy, Lord God of hosts). Described as a "reverent and faithful paraphrase of Revelation 4:8–11" and of the Johannine vision of unending worship in Heaven, it is an example of Heber's dutiful attempt to avoid excessive ...
Mr. Dorsey can be seen telling this story in the 1982 gospel music documentary Say Amen, Somebody.) The earliest known recording was made on February 16, 1937, by the "Heavenly Gospel Singers" (Bluebird B6846). [7] "Take My Hand, Precious Lord" was first published in 1938. [8] "Take My Hand, Precious Lord" is published in more than 40 languages ...
Original publication of Lewis Hartsough's "I Am Coming, Lord!" (first line "I hear Thy welcome voice") from the 1872 edition of the Revivalist edited by Hartsough & Joseph Hillman and published by Hillman in Troy, New York. This English-language American gospel song became phenomenally popular in Wales as GWAHODDIAD (Welsh for "invitation").
The song features vocals from Jay Electronica and Larry Hoover, Jr. West believed in Hoover, Jr.'s father Larry Hoover to make a change and GLC helped him become involved with his son, who then wrote material for West. A second version was released under the title of "Jesus Lord pt 2" as part of the album, featuring vocals from the Lox.
Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. [1]
"Stand by Me" is a 1905 gospel song by Charles Albert Tindley. [1] Despite the song's documented origins, it has sometimes been published without attribution or erroneously listed as "traditional". [2] [3] The song is sometimes referred to as "Stand by Me Father", leading to confusion with an unrelated song with that name by Sam Cooke and J. W ...