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The Hallstatt culture was the predominant Western and Central European archaeological culture of the Late Bronze Age (Hallstatt A, Hallstatt B) from the 12th to 8th centuries BC and Early Iron Age Europe (Hallstatt C, Hallstatt D) from the 8th to 6th centuries BC, developing out of the Urnfield culture of the 12th century BC (Late Bronze Age) and followed in much of its area by the La Tène ...
The old Hallstatt Museum An old display case from the former museum, used to display Hallstatt grave goods. The earliest discoveries were made in 1846 by Johann Georg Ramsauer, who was the Bergmeister or Official of the Habsburg Salt Mines. He started a series of meticulous excavations on the cemeteries around the mines between 1846 and 1867.
Hallstatt lies in the area where the western and eastern zones of the Hallstatt culture meet, which is reflected in the finds from there. [7] Hallstatt C is characterized by the first appearance of iron swords. Hallstatt D displays daggers, almost to the exclusion of swords, in the western zone graves ranging from circa 600 to 500 BC.
A protrusion at its centre supports a 19 cm statuette of moulded bronze, depicting a woman with one outstretched arm, which once may have held some object such as a plastinx. She wears a peplos, the body-length Ancient Greek garment worn by women, and her head is covered by a veil. The statuette appears of a somewhat older style than figures on ...
The Lusatian culture of the Hallstatt periods included most lands of present-day Poland, including the related Białowice culture (Zielona Góra County) in some of the westernmost parts, contemporaneous with Hallstatt C and D and later and credited with the passing of a "cist" (rock encasement) grave type to the Pomeranian culture. Western ...
The earliest archaeological culture that is conventionally termed Celtic, the Hallstatt culture (from "Hallstatt C" onwards), comes from the early European Iron Age, c. 800 –450 BC. Nonetheless, the art of this and later periods reflects considerable continuity, and some long-term correspondences, with earlier art from the same regions, which ...
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
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