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(Its name later changed when J. F. Low, son of John Gardner Low, replaced his retired grandfather.) During the 1880s, the company won awards in the United States and Europe for its high relief decorative art tiles, which ornamented such objects as candlesticks, cast-iron stoves, clocks, fireplace surrounds, soda fountains, trivets, and walls.
Her home is considered an Albuquerque landmark, [6] known as The Tile House, [7] and was created during an 11-year period from the late 1980s to the early 1990s. It now belongs to Beverly's daughter, Erin Magennis, and her husband Kyle Ray, both artists carrying on the mosaic tradition. [ 6 ]
Ernest Allan Batchelder was born on January 22, 1875, in Nashua, Hillsborough County, New Hampshire. [1] [2] [3] In 1894, Batchelder began attending classes at Massachusetts Normal Art School (now Massachusetts College of Art and Design), which was founded in 1873 with the intention to support the Massachusetts Drawing Act of 1870 by providing drawing teachers for the public schools as well as ...
The fireplace mantel or mantelpiece, also known as a chimneypiece, originated in medieval times as a hood that projected over a fire grate to catch the smoke. The term has evolved to include the decorative framework around the fireplace , and can include elaborate designs extending to the ceiling.
The first building to have tiles with red was the Süleymaniye Mosque in Istanbul which was designed by the imperial architect Mimar Sinan and completed in 1557. [76] The tile decoration inside the mosque is restricted to around the mihrab on the qibla wall. The repeating rectangular tiles have a stencil-like floral pattern on a white ground.
Tiles are often used to form wall murals and floor coverings, and can range from simple square tiles to complex mosaics. Tiles are most often made of ceramic, typically glazed for internal uses and unglazed for roofing, but other materials are also commonly used, such as glass, cork, concrete and other composite materials, and stone. Tiling ...
The museum collection features decorative ceramic tiles or azulejos from the second half of the 15th century to the present day. Besides tiles, it includes ceramics, porcelain and faience from the 19th to the 20th century. Its permanent exhibition starts with a display of the materials and techniques used for manufacturing tiles.
Many of the façades in the historic center of Puebla are decorated with these tiles. [9] [20] These tiles are called azulejos and can be found on fountains, patios, the façades of homes, churches and other buildings, forming an important part of Puebla's Baroque architecture. [21] This use of azulejos attested to the family's or church's wealth.