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His songs, part-songs and larger-scale vocal works were well-known and lucrative in his lifetime, and they have remained some of his most popular compositions. This list is based upon the Thematisch-Bibliographisches Werkverzeichnis , a comprehensive catalogue of Schumann's works compiled by Margit L. McCorkle and published in 2003.
Opera, ballet, and Lieder could also trivially be considered program music since they are unintended to accompany vocal or stage performances. They will be excluded from this list except where they have been extensively popularised and played without the original vocals and/or stage performance.
The contralto singing voice has a vocal range that lies between the F below "middle C" (F 3) to two Fs above middle C (F 5) and is the lowest type of female voice. In the lower and upper extremes, some contralto voices can sing from two Bs below middle C (B 2) [1] to two B ♭ s above middle C (B ♭ 5). [2]
This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. The list is based on lists of his works ...
The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities; Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances; Title – the title of the work
Probably intended as a vocal study. 271 Amen...alleluja Soprano, Bass G minor 1735-46 Probably intended as a vocal study. 272 Alleluja...amen Soprano, Bass D minor 1735-46 Probably intended as a vocal study. 273 Alleluja...amen Soprano, Bass G major 1735-46 Probably intended as a vocal study. 274 Alleluja...amen Soprano, Bass A minor 1735-46
Mozart's sacred music is mainly vocal, though also instrumental examples exist, like the seventeen Sonate da chiesa, composed between 1772 and 1780. His sacred music presents a rich stylistic mosaic: Gregorian choral elements meet rigorous counterpoint, and even operatic elements can sometimes emerge. Stylistic unity and consistency is present ...
This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, [1] which is generally in chronological order of composition date. "L¹" numbers are also given from Lesure's original 1977 catalogue.