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While over time a Protestant tradition of art developed, the depictions of the Virgin Mary within it have remained minimal, given that most Protestants reject Marian veneration and view it as a Catholic excess. [87] [88] [89] The use of Marian Sacramentals such as the Brown Scapular is a distinguishing feature of Catholic art.
The alternative Catholic scene from the end of the Virgin Mary's early life is the Death of the Virgin, which was more compatible with the Dormition of the Theotokos in Eastern Orthodox art and theology. Most treatments showed her lying in bed, surrounded by the Twelve Apostles, again reflecting the Golden Legend. [14]
In Christian art, a Madonna (Italian:) is a religious depiction of the Blessed Virgin Mary in a singular form or sometimes accompanied by the Child Jesus. These images are central icons for both the Roman Catholic and Orthodox churches. [1] The word is from Italian ma donna 'my lady' (archaic).
The Virgin appearing to St. Bernard; Virgin in Glory with Saints; The Virgin in Prayer; Virgin Mary (El Greco, Madrid) Virgin Mary (El Greco, Strasbourg) The Virgin Mary and Saint Francis Saving the World from Christ's Anger; The Virgin Mary as a Child Praying; The Virgin of Charity (El Greco) Virgin of Mercy (Filippo Lippi) Virgin of Mercy ...
The Coronation of the Virgin or Coronation of Mary is a subject in Christian art, especially popular in Italy in the 13th to 15th centuries, but continuing in popularity until the 18th century and beyond. Christ, sometimes accompanied by God the Father and the Holy Spirit in the form of a dove, places a crown on the head of Mary as Queen of Heaven.
Transformations in visual depictions of the Virgin from the 13th to 15th centuries mirror her "social" standing within Christianity as well as in wider society. [3] In art the association of blue with Mary was complemented by an association of red with Jesus. The juxtaposition of the two is an important element in many works of historical art. [4]
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