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Woh Humsafar Tha (Urdu: وہ ہم سفر تھا, ‘Wuh ham-safar tha’ lit. He was [my] co-journeyer) is a ghazal written in 1971 by Naseer Turabi [1] after the Fall of Dhaka. It serves as the title song for the Pakistani drama serial Humsafar. The ghazal was originally sung by Abida Parveen [2] and later by Qurat-ul-Ain Balouch.
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The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]
Chupke Chupke Raat Din (Urdu: چپکے چپکے رات دن) (transl. Quietly Quietly Night & Day) is a popular ghazal written by Maulana Hasrat Mohani. [1] The music composition is based on Raga Kafi [citation needed]. It is a classical Urdu poem that represents the culture of the Mughal Dynasty. The poem became famous after it was sung by ...
Jan Nisar Akhtar (18 February 1914 – 19 August 1976) was an Indian poet of Urdu ghazals and nazms, and a part of the Progressive Writers' Movement, who was also a lyricist for Bollywood. [1] He was the son of Muztar Khairabadi and great grandson of Fazl-e-Haq Khairabadi, who were both Urdu poets.
"Afreen Afreen" (Urdu: آفریں آفریں transl. Praise to her Creator! Praise to her Creator!) is a nazm (song) performed and composed by Nusrat Fateh Ali Khan with lyrics written by Javed Akhtar. [1] [2] It first featured on their collaborative album Sangam in 1996. [3]
Sarfaroshi Ki Tamanna is an Urdu patriotic poem written by Bismil Azimabadi as a dedication to young freedom fighters of the Indian independence movement. [1] This poem was popularized by Ram Prasad Bismil. When Ram Prasad Bismil was put on the gallows, the opening lines of this ghazal were on his lips. [2]
Hafeez Jalandhari was unique in Urdu poetry for the enchanting melody of his voice and lilting rhythms of his songs and lyrics. His poetry generally dealt with romantic, religious, patriotic and natural themes. His language was a fine blend of Hindi and Urdu diction, reflecting the composite culture of South Asia. [3]