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Piltzintēuctli, god of the visions. In Aztec mythology, he is associated with Mercury (the planet that is visible just before sunrise or just after sunset) and healing. Citlalatonac, god of female stars in the Milky Way. Mixcōātl, god of hunting and old god of hurricanes and storms. Mixcoatl is associated with the Milky Way.
Aztec mythology is the body or collection of myths of the Aztec civilization of Central Mexico. [1] ... The strongest and most handsome of the gods, Tecuciztecatl, ...
Human tribute was used for sacrificial purposes because human blood was believed to be extremely important, and thus powerful. According to Aztec mythology, Huitzilopochtli needed blood as sustenance in order to continue to keep his sister and many brothers at bay as he chased them through the sky. [24]
The name "Axolotl" comes from Nahuatl, the Aztec language. One translation of the name connects the Axolotl to Xolotl. The most common translation is "water-dog" . "Atl" for water and "Xolotl" for dog. [14] In the Aztec calendar, the ruler of the day, Itzcuintli ("Dog"), is Mictlantecuhtli, the god of death and lord of Mictlan, the afterlife. [15]
The most important center was Cholula, where the world's largest pyramid was dedicated to Quetzalcoatl-worship. In Aztec culture, depictions of Quetzalcoatl were fully anthropomorphic. Quetzalcoatl was associated with the wind-god Ehecatl and is often depicted with his insignia: a beak-like mask.
In his new position of power, he refuses to go into motion until the gods make sacrifice to him. In an elaborate ceremony, Quetzalcoatl cuts the hearts out of each of the gods and offers it to Tonatiuh (and the moon Meztli). All of this occurs in the ancient and sacred, pre-Aztec city of Teotihuacan. It is predicted that eventually, like the ...
Mictlantecuhtli (left), god of death, and Quetzalcoatl, god of life; together they symbolize life and death.. The Aztec religion is a polytheistic and monistic pantheism in which the Nahua concept of teotl was construed as the supreme god Ometeotl, as well as a diverse pantheon of lesser gods and manifestations of nature. [1]
The frontispiece of the Codex Fejéváry-Mayer, one of the more well-known images from Aztec codices, features a god circumscribed in the 20 trecena, or day symbols, of the Tōnalpōhualli. The exact identity of this god is unclear, but is most likely either Tezcatlipoca or Xiuhtecutli. The figure has yellow and black face paint, as is ...