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  2. Durable water repellent - Wikipedia

    en.wikipedia.org/wiki/Durable_water_repellent

    Durable water repellents are commonly used in conjunction with waterproof breathable fabrics such as Gore-Tex to prevent the outer layer of fabric from becoming saturated with water. This saturation, called 'wetting out,' can reduce the garment's breathability (moisture transport through the breathable membrane) and let water through.

  3. Waterproofing - Wikipedia

    en.wikipedia.org/wiki/Waterproofing

    Waterproofing conducted on the exterior of a freeway tunnel. Waterproofing is the process of making an object, person or structure waterproof or water-resistant so that it remains relatively unaffected by water or resisting the ingress of water under specified conditions.

  4. Canvas - Wikipedia

    en.wikipedia.org/wiki/Canvas

    Canvas has become the most common support medium for various techniques and mediums such as, oil painting, acrylic painting, pour paint, watercolor, etc., replacing wooden panels. Wooden panels were used in the 14th century in Italy, but only rarely.

  5. Every Crafter Needs This Nostalgic Fabric Paint - AOL

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  6. Tarpaulin - Wikipedia

    en.wikipedia.org/wiki/Tarpaulin

    An improvised tent using polytarp as a fly Abandoned homeless shelter using plastic tarp. A tarpaulin (/ t ɑːr ˈ p ɔː l ɪ n / tar-PAW-lin, [1] also US: / ˈ t ɑːr p ə l ɪ n / [2]) or tarp is a large sheet of strong, flexible, water-resistant or waterproof material, often cloth such as canvas or polyester coated with polyurethane, or made of plastics such as polyethylene.

  7. Floorcloth - Wikipedia

    en.wikipedia.org/wiki/Floorcloth

    Some still use floorcloths as a customizable alternative to rugs, and some artists have elected to use floorcloths as a medium of expression. Most modern floorcloths are made of heavy, unstretched canvas [2] with two or more coats of gesso. They are then painted and varnished to make them waterproof.

  8. Oilcloth - Wikipedia

    en.wikipedia.org/wiki/Oilcloth

    The fabric was first stretched on a tenter frame and sized with animal gelatine. The oil was then applied and allowed to cure between coats. As the cure relies on oxidation by the air, thin coats and long cure times between are required. [1] [2] Overlaps between sheets of fresh oilcloth would amalgamate naturally when pressed together.

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