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Hugo Alexander Speer (born 17 March 1968) is an English actor and director. He is best known for playing Guy in The Full Monty (1997), Inspector Valentine in Father Brown (2013–2014), Captain Treville in The Musketeers (2014–2016), Lucius in Britannia (2017–2019), Frank Young in Marcella (2018–2020) and DI David Bradford in London Kills (2019–present).
Many actors train at length in specialist programs or colleges to develop these skills. The vast majority of professional actors have gone through extensive training. Actors and actresses will often have many instructors and teachers for a full range of training involving singing, scene-work, audition techniques, and acting for camera.
The actor puts themselves in the mindset of the character finding things in common in order to give a more genuine portrayal of the character. Method acting is a range of techniques used to assist acting persons in understanding, relating to and the portrayal of their character(s), as formulated by Lee Strasberg .
YouTube (3) Oscar nominations stir up controversy for myriad reasons nearly every year, but there’s one question that pops up again and again: What determines whether a performance is ...
Brian Gaskill Debra L Rothenberg/Getty Images Soap opera star Brian Gaskill broke his silence after his character, Seth Morgan, was killed off of The Young and the Restless. Gaskill, 54, expressed ...
The "line" in "below-the-line" refers to the separation of production costs between script and story writers, producers, directors, actors and casting (collectively referred to as "above-the-line") and the rest of the film crew or production team. [16] best boy. A woman who performs the duties of a best boy may be called a best girl.
To this day, Reese Witherspoon is “haunted” by a speech she gave at an awards show that resulted in the end of a friendship. While interviewing each other for People, Witherspoon asked her ...
Understudy: an actor familiar with another actor's role so that he or she can substitute in an emergency. Upstage: towards the back of the stage; the half of the stage that is farthest from the audience; to outshine another's performance, especially when the other has a larger part or is more well-known. (The third meaning derives from the ...