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Rowena A. Morrill (September 14, 1944 – February 11, 2021), also credited as Rowena and Rowina Morril, [n 1] was an American artist known for her science-fiction and fantasy illustration, and is credited as one of the first female artists to impact paperback cover illustration. [1] Her notable artist monographs included The Fantastic Art of ...
This is a list of science fiction and fantasy artists, notable and well-known 20th- and 21st-century artists who have created book covers or interior illustrations for books, or who have had their own books or comic books of fantastic art with science fiction or fantasy themes published. Artists known exclusively for their work in comic books ...
It is the thirteenth book published in the Dragonriders of Pern series by Anne or her son Todd McCaffrey. [1] The Dolphins of Pern was first published in 1994. The cover painting by Rowena Morrill was used again for the biography Anne McCaffrey: A life with dragons (Roberts 2007).
The Comic and Fantasy Art Amateur Press Association (CFA-APA) was founded in 1985 by Roger Hill. [1] Its membership consists of knowledgeable fans, creators, and collectors of comic and fantasy art who write about various subjects related to those genres. The group self-publishes approximately three times a year and each issue has a theme ...
Meredith Ann Pierce (born 1958), author of The Darkangel Trilogy; Tamora Pierce (born 1954), author of the Tortall books, The Song of the Lioness series and the Circle of Magic books; Ricardo Pinto (born in 1961), author of The Stone Dance of the Chameleon series; Tim Powers (born 1952), author of The Anubis Gates; Anne Plichota, author of Oksa ...
Textile artists from Georgia (U.S. state) (6 P) Pages in category "Artists from Georgia (U.S. state)" The following 54 pages are in this category, out of 54 total.
The Woman Who Rides Like a Man is a fantasy novel by Tamora Pierce, the third in a series of four books, The Song of the Lioness. [1] It details the knighthood of Alanna of Trebond as she lives in the Bazhir desert after becoming a knight.
The 40 Watt Club was the primary performance space for numerous "Athens bands", including Pylon, R.E.M., Love Tractor, Dreams So Real, Guadalcanal Diary, The Primates, Modern Skirts, and others. Its DIY ethos and informality were instrumental in the fostering of punk rock and a "scene" in Athens.