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The approximately 10 inches (25 cm) high, 9 inches (23 cm) long, and 3.5 inches (9 cm) wide [33] beeswax sculpture is believed to be a maquette for a full size bronze sculpture. The model used to cast the sculpture sustained damage, resulting in the sculpture suffering the loss of the horse's front-left leg along with the rider's feet and hands.
The evolution of the horse and rider as a subject in Marini's works reflects the artist's response to the changing context of the modern world. This theme appeared in his work in 1936. At first the proportions of horse and rider are slender and both are "poised, formal, and calm." By the next year the horse is depicted rearing and the rider ...
Thunder shares mascot duties with Miles, a human who wears a horse head mask atop a Broncos uniform. Three purebred Arabians have held this role since 1993, all gray horses whose coats lightened with age until they turned completely white. Sharon Magness-Blake has owned all of them, and Ann Judge has been their rider since 1998 and trainer ...
The rider, with moustache and woolly chaps, leans forward, gripping the horse's mane with one hand and holding on to his hat with the other. Remington completed a plaster model in January 1905, which was cast in bronze by the Roman Bronze Works using the lost wax process .
Spirit Rider of the Season, by David Govedare, Wildhorse Road, 1993. Steel silhouettes of four horses, one rider. Beverly Hills. John Wayne, by Harry Jackson, Great Western Bank, 1984. Inglewood. Swaps (Racehorse & Jockey), by Albert Stewart, Hollywood Park Racetrack, 1955. Los Angeles. Emiliano Zapata, by Ignacio Asunsolo, Lincoln Park (Los ...
Horse and Rider is a 2014 sculpture by American artist Charles Ray. [1] As of June 2015, the equestrian self-portrait was installed in the Art Institute of Chicago's South McCormick Courtyard, in the U.S. state of Illinois. The work is part of "Charles Ray: Sculpture 1997–2014". [2] [3]
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The first instance that the horse was successfully positioned on the two hind legs without using the tail as a third support. Erected in front of the Hoftheater as an equestrian statue on a stone pedestal in 1826; the present fountain monument was created in 1894 (see Leopoldsbrunnen ).
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