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"In Christ Alone" is a popular modern Christian song written by Keith Getty and Stuart Townend, both songwriters of Christian hymns and contemporary worship music in the United Kingdom. The song, with a strong Irish melody, is the first hymn they penned together. [1] [2] The music was by Getty and the original lyrics by Townend. It was composed ...
Dwight Leslie Armstrong (15 September 1904 – 17 November 1984) was an American composer of hymns based upon texts from the Psalms and other books of the Christian Bible.He was the younger brother of Worldwide Church of God (WCG) founder Herbert W. Armstrong, and uncle of American WCG evangelist Garner Ted Armstrong.
Notation of melody and chords for the hymn. [1]Agni Parthene (Greek: Ἁγνὴ Παρθένε), rendered "O Virgin Pure" or "O Pure Virgin", is a Greek Marian hymn composed by St. Nectarios of Aegina in the late 19th century, first published in print in his Theotokarion (Θεοτοκάριον, ἤτοι προσευχητάριον μικρόν) in 1905.
Singing the Living Tradition was the first standard denominational hymnbook to include songs from Unitarians in Eastern Europe, spirituals from the African American tradition, folk and popular songs, music of major, non-Christian religious traditions, and chants and rounds gathered from the various traditions of the world.
Craig Gower – piano, keyboards; Peter Hart – vocals; Scott Haslem – vocals, vocal production; Nigel Hendroff – electric guitar, acoustic guitar; Gary Honor – saxophone; Matt Hope – trumpet, brass director; Trent Hopkinson – trumpet; Karen Horn – vocals; Bobbie Houston (senior pastor) – executive producer
New Irish Hymns 3: Story: God is Here (Instrumental) 2002 — An Evening in Prague: Based on a melody by Lara Martin: God of Grace: 2003 Jonathan Rea: New Irish Hymns 2 — The Grace Song of Heaven: 2005 Kristyn Getty: Songs That Jesus Said — Hear All Creation: 2001 Margaret Becker: New Irish Hymns — He Is My Light Based on John 1:4-5, John ...
The compact 11-song tracklist sounds like someone put all the best experimental dance music and punchy synth-pop into a blender and sprinkled it with the essence of Rosalía's "Motomami ...
In 1933, the editors of The Presbyterian Hymnal decided to replace "The God of Abraham Praise" with "Praise to The Living God" in the hymnal. In order to make the new hymn familiar to the congregation, they set it to the tune of the old hymn and substituted the first line of the old with the first line of the new. [2]
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