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W.A.S.P. is the debut studio album by the American heavy metal band W.A.S.P., released on August 17, 1984.The album has been known under three different names; the spine of the original European vinyl release had Winged Assassins printed on it, while early cassette releases of the album had the name of the album's first track, "I Wanna Be Somebody", printed in bold letters on the cover.
The Crimson Idol is the fifth studio album by heavy metal band W.A.S.P., released in June 1992 through Capitol Records, their last album for the label. [1] It was the first album by W.A.S.P. since the band's temporary breakup in 1990; [2] [3] this was because vocalist and rhythm guitarist Blackie Lawless had intended to release The Crimson Idol as a solo album, until he decided to release it ...
Non-album single "Mean Man" 1989 — 11 17 — 21 The Headless Children "The Real Me" — — 19 — 23 "Forever Free" 150 — — — 25
The Headless Children is the fourth studio album by heavy metal band W.A.S.P., released in April 1989 through Capitol Records. [2] The album reached No. 48 on the US Billboard 200 chart, [3] the band's highest chart position, [3] and remained on that chart for 13 weeks. [4]
Some album covers prove controversial due to their titles alone. When the Sex Pistols released Never Mind The Bollocks…in 1977, a record shop owner in Nottingham named Chris Searle was arrested ...
W.A.S.P.'s fourth studio album, The Headless Children, was released in April 1989, and was their first album without any overtly sexually explicit songs. [10] The album reached the band's highest chart position with No. 48 [ 27 ] on the Billboard 200 before falling off the charts in 13 weeks.
The same thing that Wasp had to do is have imagination, and it's like merging the voice with the costume and the songs with the costume and the intention of the art direction, all of it. It's all ...
Kill Fuck Die (also stylized as Kill.Fuck.Die. and abbreviated as K.F.D.) is the seventh studio album by American heavy metal band W.A.S.P., released by Castle Records in 1997. It differs from their previous releases by incorporating an industrial and more aggressive sound. Guitarist Chris Holmes rejoined the band for this album in a surprise move.