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During the First World War, a woman doctor falls in love with one of her patients who turns out to be a German spy. She herself ends up working for German intelligence. A, D 1937 US Street of Shadows: Mademoiselle Docteur: G. W. Pabst: During the First World War, a woman doctor falls in love with one of her patients who turns out to be a German ...
The Guns of August (published in the UK as August 1914) is a 1962 book centered on the first month of World War I written by Barbara W. Tuchman. After introductory chapters, Tuchman describes in great detail the opening events of the conflict. The book's focus then becomes a military history of the contestants, chiefly the great powers.
These are depictions of diverse aspects of war in film and television, including but not limited to documentaries, TV mini-series, drama serials, and propaganda film.The list starts before World War I, followed by the Roaring Twenties, and then the Great Depression, which eventually saw the outbreak of World War II in 1939, which ended in 1945.
In the many stories of Jetfire (who was referred to as Skyfire in the TV series), told through the numerous Generation 1 continuities, there is one constant aspect—an early affiliation with the Decepticons, which has served only to convince him to side with the Autobots. Jetfire's dedication to the Autobot cause is matched only by his ...
The U.S. entered the war in April 1917, which achieved Wellington House's primary objective. The DOI increased its production of war films, but did not know what would play most effectively in the U.S., leading to nearly every British war film being sent to the States thereafter, including The Tanks in Action at the Battle of the Ancre and The Retreat of the Germans at the Battle of Arras ...
In the First World War, British propaganda took various forms, including pictures, literature and film. Britain also placed significant emphasis on atrocity propaganda as a way of mobilising public opinion against Imperial Germany and the Central Powers during the First World War. [1] For the global picture, see Propaganda in World War I.
The media was expected to take sides, not to remain neutral, during World War I.When Wilhelm II declared a state of war in Germany on July 31, the commanders of the army corps (German: Stellvertretende Generalkommandos) took control of the administration, including implementing a policy of press censorship, which was carried out under Walter Nicolai.
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