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Symphonic Lego Fantasia for piano and orchestra, commissioned by the Lego Group (1995–96) Rising of a new day (1998) Lys på din vej (Light on your path) – orchestral version (1999-2000) Cantabile, symphonic suite consisting of three symphonic poems for orchestra, choir, and soloists (2004–2009)
Zahn number of the hymn tune used in the chorale prelude. [18] Description of the Lutheran hymn or tune: 4 Other Works by Bach, other than chorale preludes, using the same hymn tune [19] Description of the related composition
Text incipit of the harmonised hymn. Information regarding which part of the hymn Bach used is given in parentheses, typically verse numbers indicated by "v." Hymn titles without such information as in (untexted) chorale harmonisation collections. 2 Zahn Zahn number of the chorale melody. When the data in the Zahn column starts with N that ...
This article refers to the English version. The book was published on the 150th anniversary of the publication of the first LDS hymnbook, compiled by Emma Smith in 1835. Previous hymnbooks used by the church include The Manchester Hymnal (1840), The Psalmody (1889), Songs of Zion (1908), Hymns (1927), and Hymns (1948).
Concerto for Piano and Orchestra, No. 3 in A major; Concerto for Piano and Orchestra, No. 4 in G minor; Concerto for Piano and Orchestra, No. 5 in D major; Concerto for Piano and Orchestra, No. 6 in B-flat major; Concerto for Piano and Orchestra, No. 7 in A major; Concerto for Piano and Orchestra, No. 8 in C major; Selim Palmgren
Music for a Prince: Two Pieces for Orchestra (1948) Penguinski (1933) Piano Concerto No. 2 in C, Op. 39 (1925) Serenade for 4 solo violins and string orchestra (1917) Puck's Minuet (1917) Piano Concerto No. 1 in C minor, Op. 4 (1913) Suite for string orchestra (1942) Elegy for viola, string quartet and string orchestra, Op. 15 (1917)
Further hymn settings and arias by Bach are included in his cantatas, motets, masses, passions, oratorios and chorale harmonisations (BWV 1–438 and later additions). The second Anhang of the BWV catalogue also lists a few songs of doubtful authenticity.
In setting the four hymns to music, Vaughan Williams chose poems by Jeremy Taylor, Isaac Watts, Richard Crashaw, and Robert Bridges (a translation from the Greek). The cycle is sometimes called Four Hymns for Tenor and Strings and performed in an orchestrated version with a string orchestra replacing the piano part.
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