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La cetra (Vivaldi) Il cimento dell'armonia e dell'inventione; Concerto alla rustica; Concerto for Two Cellos, RV 531; Concerto for Two Trumpets (Vivaldi) Concerto in C major, RV 558; Concerto in C major, RV 559
Antonio Vivaldi (engraving by François Morellon la Cave, from Michel-Charles Le Cène's edition of Vivaldi's Op. 8 The following is a list of compositions by the Italian Baroque composer Antonio Vivaldi (1678–1741).
Antonio Vivaldi wrote a set of concerti for violin, strings and continuo, Op. 12, in 1729.. Concerto No. 1 in G minor, RV 317; Allegro Largo Allegro. Concerto No. 2 in D minor, RV 244
Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène’s edition of Vivaldi’s Op. 8, 1725) Title page, 1725. Il cimento dell’armonia e dell’inventione (The Contest Between Harmony and Invention) is a set of twelve concertos written by Antonio Vivaldi and published in 1725 as Op. 8.
Vivaldi composed a few concertos specifically for L'estro armonico, while other concertos of the set had been composed at an earlier date. Vivaldi scholar Michael Talbot described the set as "perhaps the most influential collection of instrumental music to appear during the whole of the eighteenth century".
Antonio Vivaldi. The Concerto in C major, RV 559, is a concerto grosso by the Italian composer Antonio Vivaldi, completed in 1740. The concerto's instrumentation is for two oboes, two clarinets, string section and harpsichord. It is one of two of Vivaldi's concerti grossi for this instrumentation, the other being RV 560. [1] The movements are ...
Grosso mogul, also Il grosso mogul, or capitalised [Il] Grosso Mogul ([The] Great Moghul), RV 208, is a violin concerto in D major by Antonio Vivaldi. [1] [2] [3] The concerto, in three movements, is an early work by the Venetian composer. [4] Around the mid-1710s Johann Sebastian Bach transcribed the concerto for organ, BWV 594, in C major. [5]
This is a complete list of operas by Antonio Vivaldi (1678–1741). He claimed to have composed 94 operas, but fewer than 50 titles have been identified, of which the scores of only 20 or so survive, wholly or in part. Moreover, the practice of reviving works under a different title and of creating pasticci has confused musicologists.