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Coiled Serpent, unknown Aztec artist, 15th–early 16th century CE, Stone, The Metropolitan Museum of Art, New York, United States [1] The use of serpents in Aztec art ranges greatly from being an inclusion in the iconography of important religious figures such as Quetzalcoatl and Cōātlīcue, [2] to being used as symbols on Aztec ritual objects, [3] and decorative stand-alone representations ...
The name Quetzalcoatl comes from Nahuatl and means "Precious serpent" or "Quetzal-feathered Serpent". [15] In the 17th century, Ixtlilxóchitl, a descendant of Aztec royalty and historian of the Nahua people, wrote, "Quetzalcoatl, in its literal sense, means 'serpent of precious feathers' but in the allegorical sense, 'wisest of men'."
A Feathered Serpent from deep in the Juxtlahuaca cave. Stylistically tied to the Olmec, this red Feathered Serpent has a crest of now-faded green feathers. [1] Annotated image of the Feathered Serpent or Plumed Serpent Sculpture from the top and bottom. It is currently on display at the National Museum of Anthropology in Mexico City.
Xiuhcoatl is a Classical Nahuatl word that translates as "turquoise serpent" and also carries the symbolic and descriptive translation of "fire serpent". Xiuhcoatl was a common subject of Aztec art , including illustrations in Aztec codices , and was used as a back ornament on representations of both Xiuhtecuhtli and Huitzilopochtli. [ 1 ]
The Double-headed serpent is an Aztec sculpture. It is a snake with two heads composed of mostly turquoise pieces applied to a wooden base. It came from Aztec Mexico and might have been worn or displayed in religious ceremonies. [1] The mosaic is made of pieces of turquoise, spiny oyster shell and conch shell. [2] The sculpture is at the ...
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By the reign of the Aztec ruler Ahuizotl, richer feathers from tropical areas came to the Aztec Empire with quetzal and the finest feathers used by Moctezuma's reign. [5] Feathers were used for ceremonial shields, and the garments of Aztec eagle warriors were completely covered in feathers. Feather work dressed idols and priests as well. [11]
The various feathered serpent deities remained popular in Mesoamerican folk traditions after the Spanish conquest but by the 20th century Qʼuqʼumatz appeared only rarely among the Kʼicheʼ. [26] A tradition was recorded by Juan de León that Qʼuqʼumatz assisted the sun god Tohil in his daily climb to the zenith. [27]
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