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Tamara Rubí Barrón García (born March 30, 1989), known under the ring name La Magnífica (Spanish for "The Magnificent"), is a Mexican luchadora, or female professional wrestler working for the Mexican professional wrestling promotion Consejo Mundial de Lucha Libre (CMLL). La Magnifica is a second-generation wrestler, the daughter of Gran ...
On May 1, 2022, the station flipped from pop as Única FM 88.3 to grupera using the La Magnífica brand owned by Tribuna Comunicación. XHPCZA joined XELFFS-AM 980 in Izúcar de Matamoros as a franchised La Magnífica station. The format change and operator change were undone in November 2024.
Medinilla magnifica, the showy medinilla [1] or rose grape, [2] is a species of epiphytic flowering plant, of the family Melastomataceae, native to the Philippines.Various cultivars and hybrids of this species, genus and family are well-known and have grown to be popular with plant collectors; the species Medinilla speciosa is equally as popular.
La bestia magnífica (Lucha libre) ("The Magnificent Beast (Wrestling)") is a 1953 Mexican film directed by Chano Urueta.It tells the story of two good friends who become wrestlers to leave poverty behind, but the arrival of an ambitious woman will tragically change their destiny.
The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Eastern Orthodox Church as the Ode of the Theotokos (Greek: Ἡ ᾨδὴ τῆς Θεοτόκου).
Tintinnabulation is the most important aspect of Pärt's Magnificat. According to Pärt's biographer and friend Paul Hillier, the Magnificat "displays the tintinnabuli technique at its most supple and refined."
The bacterium was discovered during the early 2010s by Olivier Gros from the University of the French Antilles at Pointe-à-Pitre, but initially it did not attract much attention as Gros thought his find to be a fungus; [4] it took Gros and other researchers five years to determine that it was a bacterium, and a few more years until Jean-Marie Volland, a graduate student supervised by Gros ...
As Countess Maritza, it made its New York City debut on 18 September 1926 at the Shubert Theatre, in an adaptation by Harry B. Smith, and with interpolated music by other composers, playing 318 performances, [2] with Yvonne d'Arle in the title role on opening night.