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Simon in the Land of Chalk Drawings is a British-Canadian children's animated series about the adventures of a young boy named Simon, who has a magic blackboard. [2] Things that Simon draws on the chalkboard become real in the Land of Chalk Drawings, a parallel world which Simon can enter by climbing over a fence near his home with a ladder.
I also think that a lot of voguing poses come from African art and Egyptian hieroglyphics. — Kevin Ultra Omni, Voguing and the House Ballroom Scene of New York City 1989-92 [ 9 ] It was also during the House of Dupree's first ball in 1981 that "the categories were really there (sic)," [ 6 ] thereby establishing Paris in some quarters as the ...
Vogue, or voguing, is a highly stylized, modern house dance originating in the late 1980s that evolved out of the Harlem ballroom scene of the 1960s. [1] It is inspired by the poses of models in fashion magazines .
Good Girl Art (GGA) is a style of artwork depicting women primarily featured in comic books, comic strips, and pulp magazines. [1] The term was coined by the American Comic Book Company, appearing in its mail order catalogs from the 1930s to the 1970s, [2] and is used by modern comic experts to describe the hyper-sexualized version of femininity depicted in comics of the era.
An AI humanoid, decked out in red and gold, faces the camera. Behind them is what appears to be the inside of a spaceship. "The hands are handing," they proclaim.
Gibson Girl, created 1898 Their First Quarrel, 1914. Peddling his pen-and-ink sketches, Gibson sold his first work in 1886 to Life magazine, founded by John Ames Mitchell and Andrew Miller. It featured general interest articles, humor, illustrations, and cartoons. His works appeared weekly in the popular national magazine for more than 30 years.
An iconic Gibson Girl portrait by its creator, Charles Dana Gibson, circa 1891. The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [1]
Augie, who loved his father, would often refer to him as "dear old Dad". Their mutual admiration included Daddy gently chiding, "Augie, my son, my son", when he would disappoint his father; and when his son would say or do something that inspired pride, Daddy would turn to the audience and say with a grin, "Dat's my boy who said dat!"