Search results
Results from the WOW.Com Content Network
Le Corbusier deemed the house as "the true cubic house" (French: la vraie maison cubique), as its constructional plan originated from a square, rendering its cubic form. [16] Round pilotis elevate the main building from the ground, allowing for a driveway leading to the enclosed garage; correspondingly, the main entrance is also underneath the ...
Charles-Édouard Jeanneret (6 October 1887 – 27 August 1965), known as Le Corbusier (UK: / l ə k ɔːr ˈ b juː z i. eɪ / lə kor-BEW-zee-ay, [2] US: / l ə ˌ k ɔːr b uː z ˈ j eɪ,-b uː s ˈ j eɪ / lə KOR-booz-YAY, -booss-YAY, [3] [4] French: [lə kɔʁbyzje]), [5] was a Swiss-French architect, designer, painter, urban planner and writer, who was one of the pioneers of what is ...
Le Corbusier and Ozenfant were the creators of Purism. Fernand Léger was a principal associate. [ 2 ] Purism was an attempt to restore regularity in a war-torn France post World War I. [ 1 ] Unlike what they saw as 'decorative' fragmentation of objects in Cubism, Purism proposed a style of painting where elements were represented as robust ...
In the late 1920s Le Corbusier lost confidence in big business to realise his dreams of utopia represented in the Ville Contemporaine and Plan Voisin (1925). Influenced by the linear city ideas of Arturo Soria y Mata (which Milyutin also employed) and the theories of the syndicalist movement (that he had recently joined) he formulated a new vision of the ideal city, the Ville Radieuse. [2]
Le Corbusier further employed the morphology in his 1930 plan for Paris, the Ville Radieuse (also unrealized). Owing to the wide diffusion and influence of these two plans and their ideas post– World War II , especially the latter, the "tower in the park" morphology spread throughout Europe and North America.
[19] [25] [26] The best-known béton brut architecture is the proto-brutalist work of the Swiss-French architect Le Corbusier, in particular his 1952 Unité d'habitation in Marseille, France; the 1951–1961 Chandigarh Capitol Complex in India; and the 1955 church of Notre Dame du Haut in Ronchamp, France.
Le Corbusier lists off several structures he claims used this, including a speculative ancient temple form, Notre-Dame de Paris, the Piazza del Campidoglio in Rome, the Petit Trianon, and lastly, his pre-war neoclassical work in Paris and some more contemporary modern buildings. In each case, he attempts to show how the lines augment the fine ...
The "International Style", as defined by Hitchcock and Johnson, had developed in 1920s Western Europe, shaped by the activities of the Dutch De Stijl movement, Le Corbusier, and the Deutscher Werkbund and the Bauhaus. Le Corbusier had embraced Taylorist and Fordist strategies adopted from American industrial models in order to reorganize society.